Ajab Prem Ki Ghazab Kahani

Ha ha and a hoot.

...the romantic moments are endearing. Most importantly, the on-screen chemistry is electrifying. Ranbir and Katrina look great together!

It isn’t a spectacular film but it’s very entertaining and sweet.

..connects the present age hindi films to the glorious lineage of romantic comedies of hindi cinema made in the era of 60s.

Honestly, it's just good to watch a film with memorable comedy again. Heaven knows its been a while.

A good fare.

...is engaging enough, as we say in Mumbai, time-pass. Go for it.7

If you've ever wondered what on earth is on-screen chemistry, here's your one-stop all-purpose encyclopaedia on celluloid magic.

There’s nothing 'ghazab' (extraordinary) about the conventional love story but the journey to the destination is full of laughs.

...a showcase for Ranbir Kapoor’s comic timing and Katrina Kaif’s growing confidence on screen.

...have a great escape awaiting you at your favourite audi this weekend. Go, have a ball.

...the movie sails because of Kapoor's effortless ease.

This is a rare film that surmounts and jumps over all the hurdles of clichéd plotting and corny dialogues on the sheer strength of its protagonists’ charm and grace.

...entertains in bits and pieces. If you must, watch it for Ranbir's brilliance.

Without Ranbir Kapoor, of course, this one would have been a mere ajab movie. He brings the much-needed underlining of ghazab to it.

...if you must, watch it for Ranbir Kapoor whose performance alone justifies the price of a ticket.

Overall, not a bad choice for the weekend and likely to appeal to young viewers.

With such a gorgeous pair, Ajab Prem Ki Ghazab Kahani, could have been a charming joyride. But instead it settles for a routine, time pass watch.

The unlikely team of Raj Kumar Santoshi and Ranbir Kapoor serves up a comedy that casts a spell (well, at least for a while).6

It's raining Ranbir Kapoor this season. Watch it for the magic he creates on screen -- time and again.

A rom-com that is half-baked comedy and a quarter-baked romance.

This one is Ajeeb prem ki gareeb kahani.

The film swings like a pendulum; at one moment, it takes off and at another, it just drops.

Inanity is a great tool for a certain kind of comedy, and Santoshi exploited it brilliantly it in ‘Andaz Apna Apna’. Here he lets inane pile up upon asinine, without getting anything out of it, and burying all his characters deep under.

Saawariya for a debut was a poor practical joke on young Kapoor. This humourlessness, if at all, is infinitely sappier.