critic

Anupama Chopra

Highest rating for
Lowest rating for
Number of reviews
356
Average rating
47

Order by

Title

Rating

  • Kesari

    What does wobble is the writing, which needed to be tighter and more layered. The characters are all one-note and the film is 150 minutes long – the entire first half is an introduction to the characters and a build up to the battle, which only begins in the second.

    Mar 2019
  • Mard Ko Dard Nahi Hota

    ...is a fanboy’s ode to the movies.  Writer and director Vasan Bala goes back to his childhood and summons up the films he grew up loving – from Hong Kong martial arts movies to Manmohan Desai.

    Mar 2019
  • Photograph

    ...doesn’t come together as beautifully as The Lunchbox did. The screenplay isn’t as sharp or insightful. In places the film is so quiet that it feels inert. I’m not going to lie – I did get impatient. And yet the next morning, I found myself thinking about Rafi and Miloni. There is a tenderness that stays with you.

    Mar 2019
  • Manikarnika

    ...Kangana has said that 70 percent of it is her work.  If yes, then she is an effective storyteller but the actor in her undermines the director.  Because the actor becomes larger than the narrative. But despite these flaws, Manikarnika reveals Kangana as an artist with boundless ambition and I’m excited to see what she creates next.

    Jan 2019
  • Uri

    ...is an unabashed love letter to the Indian army. If you want nuance or insight into the hearts and minds of brave men and women who willingly put themselves in the line of fire, you won’t find it here.

    Jan 2019
  • Zero

    ...left me stumped and eventually, sad. Because when artists take such ambitious creative risks, you are really rooting for them to succeed.

    Dec 2018
  • 2.0

    Shankar’s cinema uniquely combines scale with social message. Just in case you’ve missed the point of this film, at the end, Dr. Vaseegaran spells it out again. Like everything else in 2.0, it’s a tiring overdose.

    Nov 2018
  • Andhadhun

    With precision and control, Sriram constructs a theatre of the absurd. The surroundings – high-rises, leafy streets and old houses in Pune – seem perfectly normal but what’s happening inside is deliciously twisted. There’s murder, betrayal, sex and a mountain of lies. In short, you can’t look away.

    Oct 2018
  • Love Sonia

    The plot feels like it is designed to reflect newspaper headlines and everything gets resolved so easily that it seems implausible. But Sonia’s tortured face will haunt you.

    Sep 2018
  • Stree

    Director Amar Kaushik and writers Krishna D.K. and Raj Nidimoru create a horror-comedy, which turns out to be subversive commentary on the position and treatment of women in India. It’s clever and very funny.

    Aug 2018
  • Gold

    ...inconsistencies and the exhausting length weigh down Gold. But Reema ably pulls the loose threads together in the thrilling climactic match.

    Aug 2018