Anupama Chopra

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  • Panipat

    This is writing by committee and it shows on screen – instead of an organic story, we get a fractured, leaden structure that moves from one scene to another with the help of a voice-over and animated maps.

    Dec 2019
  • Bypass Road

    My takeaway from Bypass Road is that perhaps it isn’t such a good idea to let an actor write a script, play the lead role, co-produce the film and have his brother direct it. Because then what you get isn’t a film, it’s a showreel.

    Nov 2019
  • Motichoor Chaknachoor

    ...the film doesn’t become memorable in the way that other small-town tales like Dum Laga Ke Haisha or Bareilly ki Barfi or Stree were. But it’s passable entertainment. And sometimes that’s enough.

    Nov 2019
  • Ujda Chaman

    The biggest problem with Ujda Chaman is that the film wants to have it both ways – first make you laugh with cheesy jokes about sex and virginity and then deliver an important social message about why we shouldn’t judge people by their looks.

    Nov 2019
  • War very much a bromance which sparkles because Hrithik and Tiger are combative without being competitive. I had a good time. I think you will too.

    Oct 2019
  • Chhichhore

    ...allows us to revisit that first flush of youth. The film never matches the the inspired grunge vibe of In Which Annie Gives it Those Ones (1989) or the magic of Jo Jeeta Wohi Sikandar. But it’s a satisfying journey back to woh din!

    Sep 2019
  • Saaho

    I know that a popcorn entertainer like Saaho isn’t driven by logic or coherence. And I would have made my peace with it if the film delivered a good time. My biggest complaint is that it’s a crashing bore.

    Aug 2019
  • Batla House

    ...make no mistake, Batla House isn’t a Rashomon-like investigation of many truths. The film is firmly on the side of the beleaguered cops and it makes its point with the subtlety of a sledgehammer. Which is why Batla House will satisfy John Abraham fans. Those biceps were not made for nuances. Viewers looking for a more layered exploration of izzat, farz, desh should probably go elsewhere.

    Aug 2019
  • Jabariya Jodi over-plotted – characters keep getting married, kidnapped, nearly married and separated. Folks slap each other, which counts as humor. And the narrative swings wildly like there is no one steering it.

    Aug 2019
  • Khandaani Shafakhana

    The film wants to be funny but the writing is too weak and the feeble jokes are underlined with loud background music, cueing us to laugh. The film also wants to deliver a serious message about the importance of being open about sex – so entire scenes play out like public service announcements, in which characters espouse the cause.

    Aug 2019
  • Arjun Patiala

    No matter how low your bar is, Arjun Patiala won’t meet it. Making movies is hard work and I always try and look for something to recommend in each film. The only plus here is that it’s short. You’ve been warned.

    Jul 2019
  • Article 15

    Article 15 of the Indian Constitution prohibits discrimination on the grounds of religion, race, caste, sex or place of birth but in much of India, caste continues to constitute identity. Article 15 is that rare thing – a mainstream Hindi film that confronts this horror. For that alone, it deserves applause.

    Jun 2019
  • Bharat

    I know nothing about Korean history but by the end of Ode To My Father, I was weeping like a baby. The film is a masterclass in melodrama. In comparison, Bharat is bloated and inconsistent.

    Jun 2019
  • Gone Kesh

    ...I think that this story might have been better served as a short film. There isn’t enough meat here to merit a feature.  The craft also wobbles.

    Mar 2019
  • Kesari

    What does wobble is the writing, which needed to be tighter and more layered. The characters are all one-note and the film is 150 minutes long – the entire first half is an introduction to the characters and a build up to the battle, which only begins in the second.

    Mar 2019
  • Mard Ko Dard Nahi Hota a fanboy’s ode to the movies.  Writer and director Vasan Bala goes back to his childhood and summons up the films he grew up loving – from Hong Kong martial arts movies to Manmohan Desai.

    Mar 2019