Namrata Joshi

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  • Kesari

    All that has stayed on with me is the landscape—the brown, arid earth pitted against the majesty of the snow-laden, silver mountains. If only panoramic settings could make a good film.

    Mar 2019
  • Photograph

    ...I was also left feeling a sense of void and dissatisfaction, in that it barely scratches the surface of what could have been a far deeper engagement.

    Mar 2019
  • Hamid

    ..given the recent turn of events it’s the very simplicity, humaneness and a sense of poise that resonates, connects and is profoundly moving.

    Mar 2019
  • Sonchiriya

    It’s an intricately woven script which strings many threads and themes together—crisply, economically with hardly a note out of place. The sure-footedness, self-assurance all adding to a deadly impact.

    Mar 2019
  • Gully Boy’s a classic, empathetic underdog story with a crowd pleasing, feel good finale about turning your imperfect reality into a long-cherished and impossible fantasy.

    Feb 2019
  • Bombairiya

    This kind of multiple stories device has been used time and again in cinema to great effect. Bombairiya, however, is a call to give it a long, if not permanent, rest in Bollywood. Its use in the film feels entirely needless...

    Jan 2019
  • Uri

    At times I found myself standing clear of my own political biases to acknowledge his engaging craft. At other moments, I broke away from the film’s emotional sway to question its politics.

    Jan 2019
  • Simmba

    Be it as brutal violators or patronising saviours of women, Simmba shows that it all boils down to the same toxic masculinity which the men behind Simmba have been perpetuating film after film. There is a saying in Hindi: “Sau choohe khake billi haj ko chali (After eating a hundred rats the cat goes on a pilgrimage)”. Need I say more?

    Dec 2018
  • Zero

    The characteristic outstretched arms of SRK get smaller, as does his height, the creative ambition gets bigger but the film stays resolutely middling when it could have been much more.

    Dec 2018
  • Kedarnath

    A protracted climax and worn-out clichés come in the way of what could have been an interesting cinematic exploration of a social fabric in turmoil.

    Dec 2018
  • Pihu

    Deliberately designed, repetitive, predictable and emotionally manipulative, Pihu is cinema at its most duplicitous.

    Nov 2018
  • Tumbbad

    As the film progresses the explanatory begins to replace the enigmatic while you long for the shadowy, invisible demons of the mind lurking in the moody frames at the start of the film.

    Oct 2018
  • Andhadhun

    Missing the beginning, end and anything in the middle would then severely imperil what could be the most fun you’d have at the movies.

    Oct 2018
  • Sui Dhaaga

    Sharat Katariya’s brushstrokes in 'Sui Dhaaga' may have got much more broad than in his previous outing but you still end up caring for his characters

    Sep 2018
  • Halkaa

    The film’s call against open defecation is gratuitous and in trying to portray class divides ends up widening it.

    Sep 2018
  • Gali Guleiyan

    The film is a fine study of deteriorating places, people, relationships, families, neighbourhoods, communities and human minds with the one aerial shot at the end capturing it all economically.

    Sep 2018
  • Stree

    Between scares, laughs and trying to be feminist, the film does tend to get unwieldy and spreads itself too thin. The three elements play out inconsistently. But on the good side, as in some of the recent Bollywood films, Stree has a quaint sense of place, eccentric characters, a few madcap sequences and some sharply written, consciously irreverent lines to keep one engaged.

    Aug 2018