critic

Nandini Ramnath

Highest rating for
Lowest rating for
Number of reviews
358
Average rating
40

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Title

Rating

  • Ae Dil Hai Mushkil

    Johar’s latest movie is somewhere in between. He is trying to move away from the large-canvas romances on which he has built his career, but his foundation remains the popular Hindi film idiom, especially Yash Chopra’s cinema.

    Oct 2016
  • Shivaay

    There’s a decent Hollywood-style lone-wolf- on-the-prowl action thriller hidden inside this long feature, but it is sacrificed to Devgn’s indulgence.

    Oct 2016
  • Saat Uchhakkey

    ...has little going for it, but the movie might be worth its 139-minute running time for those who know only 19 ways to insult their mothers and sisters and have merely four phrases to describe the manner in which the human posterior can be punished.

    Oct 2016
  • Mirzya

    Despite the limp leads, the conceit might have passed muster with a linear story set entirely in the present. Mirzya is doomed by its inability to free itself from the weight of the original legend.

    Oct 2016
  • M.S. Dhoni

    There is a test-match quality to the efforts taken to highlight every bump and curve on the way of the journey of a quick scorer. Yet, Dhoni remains an enigma.

    Sep 2016
  • Parched

    The widow-wife-whore matrix is well performed by the actresses, whose mutual chemistry and feeling for their universal woes lift scenes that might have otherwise been trite and unconvincing.

    Sep 2016
  • Raaz Reboot

    Why build a 127-minute narrative around false hopes, non-existent sexual frisson, non-scary horror scenes, songs that escape memory, and a plot that relies on the power of the mangal sutra to set things right?

    Sep 2016
  • Pink

    The movie considerably enriches the screen treatment of sexual assault, but the moment for fewer lectures and greater observation is still some years away.

    Sep 2016
  • Freaky Ali

    Nawazuddin Siddiqui lives it up as the hero, churning out punchlines and playing the romantic lead in a creaky fantasy about bridging the gulf between the working class and a rich person’s game.

    Sep 2016
  • Baar Baar Dekho

    It wants to be seen as a departure from sentimental Hindi film romances, but it doesn’t want to let go of the messy bundle of emotions these films tap into.

    Sep 2016
  • Akira

    The poorly directed action scenes number a handful, with most of the 139-minute running time devoted to contrivances and convolutions that do not do justice to an interesting premise.

    Sep 2016
  • Rustom

    Rustom’s recreation of an iconic trial echoes the narrative style of the lesser films of the period in which the actual crime occurred – it throws out the facts in favour of a simplistic and crowd-pleasing solution, glosses over its hero’s criminal behaviour, and paints its characters in black and white.

    Aug 2016
  • Dishoom

    Dishoom’s premise has promise – two mismatched police officers join hands to rescue India’s cricketing jewel from a kidnapping – but Desi Boyz director Rohit Dhawan simply cannot get the film to jumpstart despite all the elements being in place.

    Jul 2016
  • Sultan

    Sustained by the leading man’s magnetic pull, nicely cast supporting actors, a welcome lack of melodrama, and a setting that looks less plastic than the average A-list movie, Sultan is the apogee of the Salman Khan cult.

    Jul 2016
  • Shorgul

    ...the filmmakers’ love for contrivance, simplification and populist rhetoric combine to make Shorgul yet another misfired investigation of the true nature of communal conflagrations in India.

    Jul 2016
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