critic

Prasanna D Zore

Highest rating for
Lowest rating for
Number of reviews
32
Average rating
42

Order by

Title

Rating

  • Daddy

    My biggest issue with this film is that Rampal plays it safe with facts, events and characters while bringing to the screen the life of one of the most colourful dons...

    Sep 2017
  • Babumoshai Bandookbaaz

    The director makes vain efforts to weave a string of narratives and subplots into a meaningful and engaging whole. Instead, he haemorrhages the audience's intelligence, and succeeds in killing the film.

    Aug 2017
  • Mubarakan

    The Bazmee-Chahal-Janjua-Chawla quartet prove very convincingly that comedies need not always be about slapstick; that there is more to comedy films than vulgar gestures and crass jokes. That clean dialogues, written sensibly, entertain and charm the movie-goers.

    Jul 2017
  • Machine

    ...is not a film in the first place -- it is a 148-minute parody that ends up possessing your mental faculties.

    Mar 2017
  • Irada

    Blame it on the director for Irada's sloppy editing, the film fails to hold your undivided attention.

    Feb 2017
  • The Ghazi Attack

    ...if you love watching a war movie, that too about a mission that is mired under the weight of being 'classified' and under the sea, the truth about which can surface only exploring the depth of the sea bed, then The Ghazi Attack is a must watch film.

    Feb 2017
  • Raees

    ...takes you for a boring ride, trying to soak the gangster's character in filmi spiel that is so typical of Bollywood's masala films when the film's creators realise that the plot is absolutely lame.

    Jan 2017
  • 31st October

    While a film like 31st October does play an important role in jabbing at the Collective Conscience of a nation, Patil does no justice to the story with his lame helmsmanship and equally disappointing narrative.

    Oct 2016
  • Mastram

    Director Akhilesh Jaiswal, who wrote Gangs of Wasseypur, seems unable to make up his mind as to how to firmly hold the narrative in his directorial debut Mastram.

    May 2014
  • Shaadi Ke Side Effects

    ...opens on this contrived note and meanders for an over-stretched 145 minutes, full of twists and turns, that one has come to so famously associate with soaps produced by Balaji.

    Feb 2014
  • Satyagraha

    ...one comes out with a feeling that Jha might have outsourced his job to somebody who was under no compulsion to do justice to his audience as well as to the film's superstar-cast.

    Aug 2013
  • Nasha

    The ‘erotic’ love story belongs to the film’s teeny boppers, especially Sahil, whose innocence, infatuation and vulnerability keeps you glued to your seat for the two hours it lasts.

    Jul 2013
  • Zindagi 50-50

    ...makes a brave but half-hearted effort to depict the dark cruelty that surrounds ordinary lives of three women. It fails miserably as sleaze -- of language as well as skin -- overtakes the proceedings.

    May 2013
  • Jayanta Bhai Ki Luv Story

    The problem with JKLS is that it ties not only the audience but also the actors of the film in a tight knot of which neither the plot nor performances, except Oberoi's, help to break out of.

    Feb 2013
Page 1 of 212