critic

Shubhra Gupta

Highest rating for
Number of reviews
739
Average rating
37

Order by

Title

Rating

  • Mission Mangal

    How do you jazz up dry, complicated science to make it easy for the viewer who wants, primarily, to be entertained? The answer is twin-pronged: one, dumb down the science and keep it simple, stupid, and two, get a big male A-lister to front the project.

    Aug 2019
  • Jhootha Kahin Ka

    This alleged comedy of errors, in which are complicit such veterans as Rishi Kapoor and Rakesh Bedi, bids fair to leap straight into the worst films of the year list. The dialogue is risible. The performances are loud. The film is beyond awful.

    Jul 2019
  • Super 30

    Yes, the real-life story is inspiring. But the telling of it is a drag. The film has its moments, which belong mostly to its young people: the kids are all right.

    Jul 2019
  • One Day

    This is not a bad premise for a spot-the-vigilante thriller, led by the trusty Anupam Kher. But the execution is so ham-fisted from opening to closing frame that you are left reeling.

    Jul 2019
  • Kabir Singh

    To watch a character like Kabir Singh do this thing for nearly three hours places the viewer squarely into a place of conflict. Here’s a fellow who thinks going through life yelling, shouting, snorting-and-drinking on the job, assuaging his raging libido with crass directness, basically being a sexist we-will-not-use-the-word-that-follows-naturally-here, is an acceptable thing.

    Jun 2019
  • Game Over

    Clearly, Pannu has worked hard, and there are a couple of genuinely scary moments, but the rest of it is too stretched: even the 102 minute run time feels too long.

    Jun 2019
  • PM Narendra Modi

    As a bio-pic, it inhabits muddled, post-truth territory. As a hagiography though, genuflecting at the altar of the man, it’s perfect. It’s uncritical, unquestioning, high on rhetoric. And there’s nothing accidental about it.

    May 2019
  • Blank

    The trick to making us swallow improbable ploys is slick treatment, and keeping everything moving chop-chop. On both counts, the film largely draws a blank.

    May 2019
  • Kalank

    The whole feels like a giant set, stately and ponderous and minus impact; the characters all costumed and perfumed and largely life-less, sparking only in bits and pieces. As a character says, two-thirds into the film, ‘yeh kissa yahin nipat jaata’.

    Apr 2019
  • No Fathers In Kashmir

    The best thing about Kumar’s film is that the problems it outlines feel urgent, even if we’ve seen them before, especially and quite co-incidentally in the sudden spurt of films set in the valley which have released in the past few months.

    Apr 2019
  • Junglee

    There’s not one ounce of complexity in the movie, unspooling in such a linear fashion that even two-year-olds would have no difficulty in understanding it. Maybe that’s the demographic the film will appeal to, with its bright colours and straight-forward story-line, and a smiling hero who can take on an army of scowling bad guys single-handedly.

    Mar 2019
  • Notebook

    Love as a buffer against militancy? What a good idea. But not in this airy-fairy, ineffective way that Notebook propounds: the performances by the newbies, with Iqbal faring just a trifle better than Bahl is as two dimensional as the plot.

    Mar 2019