critic

Shubhra Gupta

Highest rating for
Lowest rating for
Number of reviews
646
Average rating
37

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Title

Rating

  • Sonu Ke Titu Ki Sweety

    ...provides some laughs, some of which escape involuntarily. But it also leaves you wondering. Can Ranjan grow up his callow characters? Of course, he can, because he has the smarts (remember Pyar Ka Punchnama?). Does he really want to? I’m not sure. Sharp comedy of the sexes is the hard stuff. Cheap laughs are easy.

    Feb 2018
  • Pad Man

    ...is as worthy, but it isn’t a particularly enjoyable film. It has tonal problems, because it is trying to appeal to many constituencies at the same time.

    Feb 2018
  • Padmaavat

    You can easily delight in it while the going is good. But nearly three hours of it, and looping rhetoric around what constitutes Rajput valour can and does become tiresome.

    Jan 2018
  • Kaalakaandi

    Kalaakaandi is a Marathi term for ‘mayhem’, but there’s not enough of it, resulting in the film being more a no-stakes stroll, rather than a breathless roller-coaster.

    Jan 2018
  • Mukkabaaz

    This is a film whose lack of ostensible polish works to enhance its rough-and-tumble flavor: Kashyap and the film are at its most sure-footed when they are calling out discrimination, across the board. That’s when their punches land in exactly the right place.

    Jan 2018
  • Tiger Zinda Hai

    I’d enjoyed the first one while it lasted. I had fun in this one too, once I got past the whole ‘Come Children, Let’s Make A Spy Story For You’ explanatory mode of the flick, directed this time by Ali Abbas Zafar.

    Dec 2017
  • Ittefaq

    A good murder mystery leads you by the hand but doesn’t advertise its wares, takes care to keep it taut, and delivers a satisfactory payoff. Despite a few niggles, this brand new Ittefaq, which takes broad pointers from the 1969 original of the same name, manages to pull it off.

    Nov 2017
  • Ribbon

    But as often as the film astutely touches upon the tough choices, and the problems that can crop up, it leaves them, and us, hanging. You are left wanting a little more.

    Nov 2017
  • Ranchi Diaries

    ...this comes off as a random assemblage of scenes– in forests (that’s where the ‘Naxals’ live), a large mansion (that’s where the bad guy stays), police chowkis, and a crumbling building which is meant to house a bank—trying to pass off as a film.

    Oct 2017
  • Chef

    There are some interesting flavours here, but ‘Chef’ feels derivative, and doesn’t come together as a fully satisfactory dish. And that’s got to do with the uneven, stodgy writing.

    Oct 2017
  • CRD

    The attempt is admirable even if a trifle uneven. Content is something that is easy to jigger with, even within mainstream constraints; experimenting with form is much harder, both for the creator and the viewer.

    Sep 2017
  • Judwaa 2

    For a comedy whose plot would make a wafer look thin, the lines have to be razor sharp, and delivered in just the right rhythm. This is where the director falters, even as his son tries his best to give us two for the price of one on the other end of the screen.

    Sep 2017
  • Bhoomi

    Dutt’s face is kept in close-up for much of the film, and there is still power in it. This is an actor who can explode off the screen, given the right story. Maybe he needs something much better told to vent his anger.

    Sep 2017
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