Shubhra Gupta

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  • Sui Dhaaga well made. It’s nice and safe and staid. There are several moments that warm the heart, and you cheer when sui-dhaaga win over needle-and-thread. But you always knew they were going to, didn’t you?

    Sep 2018
  • Batti Gul Meter Chalu

    Two things mar the movie. Some of the humour made me distinctly uncomfortable: sexist lines inserted for cheap laughs, and a judge made too comic, is not something we expect in a film with good intentions. The other is its inordinate length. It’s run-time is almost three hours: the meter should have stopped at two and a half.

    Sep 2018
  • Love Sonia

    More focus on what happens to the girls when they are yanked from that life would have made Love Sonia fresher, and given the characters more to play with. That is not something we see too often, and there is a tiny glimpse of it in the film. The rest of it is same-old.

    Sep 2018
  • Manmarziyaan

    You enjoy the initial exhilaration born out of breathless passion as the winsome boy and girl engage in the age-old dance of desire. And then they become exhausting. As does the film.

    Sep 2018
  • Stree

    Stree’s premise is a cracker, leaving you grinning in the dark. But the execution comes off a tad clunky: subversion in a film willing to embrace its silliness can be very effective, but it can get diluted if your messaging is mixed.

    Aug 2018
  • Genius

    No harm in rejigging masala, but not if your style is mothballed. And not if the lead comes off strictly average, punching so high above his weight, that you end up feeling sorry for him.

    Aug 2018
  • Gold

    You know you are being played, but you don’t expect anything else, because it’s that kind of film : when the `tiranga’ went up, I teared up.

    Aug 2018
  • Satyameva Jayate

    There was a time, in the 70s and 80s, when B grade cinema embraced this theme—weeding out corruption with extreme violence– with enthusiasm. Satyameva Jayate brings it all back, with all its dialogue-baazi, and relentless background music, piling one improbable, cliché-ridden sequence upon another.

    Aug 2018
  • Mulk

    Any film that does not demonize, that talks of peace and brotherhood, in these dark, cynical times, is to be lauded. Mulk is Anubhav Sinha’s best film, and it concerns us all. It makes me want to cheer. Out loud.

    Aug 2018
  • Vishwaroop II

    ...even he (Kamal Hassan) can’t rise above the shockingly inept script, which he rescues only in a few places, when his trademark intelligent, wry self-awareness manages to kick in. The rest can be safely ignored.

    Aug 2018
  • Karwaan aiming for an easy, offhand charm, and we get that only in bits and pieces, especially when Irrfan hits his stride on occasion, or when Dulquer proves just how good he can be...

    Aug 2018
  • Saheb Biwi Aur Gangster 3

    Much more money has been spent in this part, to make it plusher. It’s shinier, sure, but much less on point. In the power-hungry, sexually charged games the trio and its hangers-on play, there’s a lot more that topples than towers.

    Jul 2018
  • Dhadak

    Khatter has a mobile, expressive face. He is a natural. Kapoor, though, has a hard time emoting. On their own, they each have a couple of scenes which they work: together, there is no zing, no `zingaaat’.

    Jul 2018
  • Sanju mostly engaging, and some of it good enough to make you laugh out loud in pleasure, especially when Hirani is killing it. But you wonder too what the film chose to leave out, and you wonder if this would have been more of a film if those things had been in here.

    Jun 2018
  • Parmanu

    You will get the money shot of Abraham and co walking in slo-mo to swelling background music, enveloped in a comic book feel. You will not get crucial nuance and detail, essential requirements for a film to be to taken seriously.

    May 2018
  • Daas Dev

    The trouble with all these people (a fine ensemble cast), whose questionable actions underline the common belief that all politics is for personal gain and not for the greater good, is that they get shoehorned into an overwrought plot. And its all much too jerky and staccato, never really letting its good parts breathe.

    Apr 2018