critic

Udita Jhunjhunwala

Highest rating for
Lowest rating for
Number of reviews
170
Average rating
41

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Title

Rating

  • No Fathers In Kashmir

    Editors Thomas Goldser, Abhro Banerjee and Kumar keep the film moving at a clip that accentuates the writer-director sometimes stunning, sometimes stressful and all together sobering view of a situation that he seasons with hope.

    Apr 2019
  • Hamid

    Screenwriter Ravinder Randhawa has adapted Amin Bhat’s play Phone No. 786 and Khan has crafted it into a compassionate tale that sensitively touches on a number of issues. Chief among them is the idea that in conflict-afflicted areas, childhood is a luxury only a few can afford.

    Mar 2019
  • Total Dhamaal

    ...director Indra Kumar’s adventure comedy (a very, very loose definition) is all about the journey, which is troublesome, even frightening, and all together tedious. So much so that by the time a motley crew of opportunists find their way to a buried treasure, the adventure comedy has begun to feel like a disaster film.

    Feb 2019
  • Amavas

    As for the significance of the title, spirits get stronger during an eclipse, we are told. Watch this total eclipse of the art at your own peril.

    Feb 2019
  • Why Cheat India

    ...perhaps too attached to his script, Sen is unable to skillfully pull it all together. Some scenes are particularly untidy – in their design, execution and casting.

    Jan 2019
  • Bombairiya

    A sharper edit at script and film level would have helped somewhat, but not enough to raise this comedy, with a hue of blackness, out of its own disorderly screenplay which leaves too many loose ends and unanswered questions.

    Jan 2019
  • Uri

    ...is a confidently made film that comes out guns blazing. And when the guns are not blazing, Kaushal certainly is.

    Jan 2019
  • Zero

    The flaws of Zero lie not in the physicality of the characters, but in the story. Too ambitious in its vision and indiscriminately illogical, Rai falters in exploring both inner spaces and outer space.

    Dec 2018
  • Kedarnath

    Fortunately for Kapoor, the performances manage to keep things afloat, taking the emotions to a crescendo matching nature’s wrath.

    Dec 2018
  • 2.0

    A film that pivots around technology and artificial intelligence should have laid as much emphasis on artificial (special effects, computer graphics, robots) as intelligence. But writer-director Shankar’s focus is largely on visually wow-ing the audience.

    Dec 2018
  • 2.0

    A film that pivots around technology and artificial intelligence should have laid as much emphasis on artificial (special effects, computer graphics, robots) as intelligence. But writer-director Shankar’s focus is largely on visually wow-ing the audience.

    Nov 2018
  • Mohalla Assi

    ...is less cinema and more textual. The small things and little metaphors are more impactful than the bombastic monologues which dominate this taxing and ponderous chronicle.

    Nov 2018
  • FryDay

    Dogra’s direction is unimaginative and the production values so sub-par that besides Govinda fans with a penchant for physical comedy, there is no reason to thank god for this FryDay.

    Oct 2018
  • Batti Gul Meter Chalu

    The trailer of this film tells you almost all there is to know. Take that three minutes and add another 172: The main feature is a bloated narrative that skirts almost three hours.

    Sep 2018
  • Love Sonia

    The acting recompenses for some directorial and script limitations. Often the story feels like a series of headlines linked together. But the compelling performances and a hard-hitting storyline power Love Sonia.

    Sep 2018
  • Gali Guleiyan

    It’s an ambitious first feature, and while Jain manages to pull off many things rather ably, he falters at other points. Many of the stumbles are painted over by a fine cast.

    Sep 2018