An archive of Hindi movie reviews and ratings from 2010 to 2020.

critic

Udita Jhunjhunwala

Highest rating for
Lowest rating for
Number of reviews
192
Average rating
42

Order by

Date

Title

Rating

  • Veere Di Wedding

    Everything about this film is deliberately put together, like the cushion covers co-ordinated with kaftans and teacups. If only, like Meera, who carries her girth with aplomb, all of Veere Di Wedding had been as natural and comfortable.

    49

    Jun 2018
  • Bhavesh Joshi Superhero

    While Motwane’s blueprint is derivative (you will think Kick Ass and Arrow), his thoughts and setting are localised enough to make this a convincing character within the genre. But the film’s flaw is that it’s trying to say too much and doing so at such a painful pace that much of a good intention is lost in execution.

    39

    Jun 2018
  • Parmanu

    Abraham goes all-out in portraying the sincerity and blinkered nationalism of Raina, but the character feels two-dimensional and flat.

    29

    May 2018
  • Khajoor Pe Atke

    Though the senior actors dive into the material and bring out the humour, random songs, side plots and an emotional vacuity eventually flatline this film.

    39

    May 2018
  • Daas Dev

    There are so many vested interests in this microcosm of UP politics that I wished I had a cheat sheet to keep track of who is who and why they are betraying and killing each other.

    29

    Apr 2018
  • Beyond The Clouds

    Together (Khattar and Mohanan) their effort might be sincere but the effect of a lack of cohesion eschews the very emotional gravitas Beyond the Clouds works so hard to achieve.

    49

    Apr 2018
  • Hichki

    Fortunately the story is strongly underlined by the instances of the resourcefulness of the students and the idea that education should not be a one-size-fits-all concept.

    59

    Mar 2018
  • 3 Storeys

    The problem with 3 Storeys is the screenwriting; Althea Kaushal’s three stories don’t match moods or stay on the same beat.

    49

    Mar 2018
  • Pari

    ...an elaborate track about satanic worship along with themes of good versus evil and love limits this film’s appeal to the loyal viewer who favours this genre.

    49

    Mar 2018
  • Welcome to New York

    The intent behind Welcome to New York leaves many questions – why is the main one. Why 3D, why make this movie, why give Karan Johar a double role, why not use more cameos? Why watch this indulgent snoozefest? That last question is the only one with a clear answer.

    29

    Feb 2018
  • Kuchh Bheege Alfaaz

    The blending of innocence and the world of words with modern casualness and the laziness of expression through emojis is what works best for this lighthearted romance.

    59

    Feb 2018
  • Pad Man

    ...is sanitised and sweet, and its message is not just to encourage the use of sanitary pads, but that with the right motivation, imagination and a whole lot of patience you can solve problems with ingenuity

    59

    Feb 2018
  • Vodka Diaries

    First-time director Kushal Srivastava's effort is evident as he attempts to make the most of this messy material, building suspense in some scenes, but dropping the pace in others.

    39

    Jan 2018
  • 1921

    Writer-director Vikram Bhatt adds in every horror film trope and genre trick into a story that in the end has no top or bottom – much like some of its decapitated zombie characters.

    29

    Jan 2018
  • Kaalakaandi

    ...it is technically inconsistent and the narrative doesn’t quite pull together. You are waiting for the loose plots to come together as the film nears its end, but that does not happen quite to satisfaction. You are left with some doubts, a lack of closure, like there’s maybe something that slipped between the writing and the final edit.

    49

    Jan 2018
  • Kadvi Hawa

    Panda does not preach or offer solutions. Juxtaposing two characters, two different geographies, communities and lives affected by changing winds and global warming, he simply asks us to face a bitter truth before its impact is irreversible.

    69

    Nov 2017
  • Tumhari Sulu

    Kaul’s performance works wonderfully in tandem with Balan. Her Sulochana is everywoman but with a dollop of infectious optimism and Balan leaves you wanting more.

    59

    Nov 2017
  • Ittefaq

    The look and feel is in place and so is the big twist. These two factors make Ittefaq a serviceable thriller, but not a genre-defining experience.

    49

    Nov 2017
  • Ribbon

    Not all ideas translate well to film and though are some moments of note, if Ribbon works at all, it is credit to Koechlin’s and Vyas’ committed and convincing performances.

    49

    Nov 2017
  • Tu Hai Mera Sunday

    There are a few unnecessary characters, and some tracks that remain under-explored but these are minor quibbles for a film that has its heart and intention in the right place.

    59

    Oct 2017
  • Haseena Parkar

    Kapoor launches into the role with complete commitment, though one can question both the plausibility of her playing the part of an intimidating middle-aged godmother and her ability to bring in nuance.

    39

    Sep 2017
  • Bhoomi

    ...is better dressed, better filmed and better performed than the old-fashioned revenge drama it actually is.

    39

    Sep 2017
  • Lucknow Central

    And while this jailhouse rock-on see-saws between musical drama and message movie, its origins in a true story (about a real life prison band called Healing Hearts) and it’s notation on the merits of reformation give it soul.

    59

    Sep 2017
  • Poster Boys

    The issue of over-population is tackled with a light hand and while the humour is anything but subtle, Poster Boys will appeal to fans of the brothers Deol looking for an inoffensive good time.

    39

    Sep 2017