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  • Gold

    ...has its occasional redeeming moments, but for the most part it just skims the surface of a landscape once examined with such depth by Chak De! India.

    Aug 2018
  • Vishwaroop II

    Apart from the shock value of the extreme violence it features and a vital statement about fundamentalism-versus-education, Vishwaroop II has nothing new to offer. It is a scar on Haasan’s filmography and a dead bore.

    Aug 2018
  • Karwaan

    There can be no more appropriate a description of Karwaan: it is not earth shattering, but it is not bad at all. Which is another way of saying it is an intelligent, funny, thoughtful film and a pleasant experience.

    Aug 2018
  • Dhadak just plain hollow. Even as a conventional rich-girl-poor-boy romance, it fails miserably, because of the superficially written bond between the lead pair.

    Jul 2018
  • Sanju

    The object of the film is two-fold: to project Dutt as a misguided but well-intentioned man and all-round nice guy, and to scapegoat others for his failings.

    Jun 2018
  • Raazi an espionage venture with heart and soul tempering its gritty core. Even as it kept me on the edge of my seat for its entire 140 minutes, it broke my heart.

    May 2018
  • Omerta

    Besides, Omerta’s pace is so unrelenting and Rao’s acting so immersive that it is impossible to turn away from the screen for a single moment of the film’s compact 97 minutes and 37 seconds. To call it gripping might be an understatement.

    May 2018
  • Daas Dev

    A Devdas-cum-Hamlet story still feels like it is worth a shot, perhaps even another shot by Mishra, but this one fails to live up to its promise  despite an excellent central performance and an unusual interpretation of two iconic literary characters.

    Apr 2018
  • Nanu Ki Jaanu

    It is scary in a few parts and funny in more, which is why it is so sad that in the overall assessment and especially in its finale, it turns out to be such a loosely handled, low-IQ mess.

    Apr 2018
  • Raid

    This is not the kind of fare you might expect to set your pulses racing, but that is precisely what it achieves in its closing scenes. Raid is not regular Bollywood. What it is though is thoroughly entertaining.

    Mar 2018
  • Pari

    The fact that the star has chosen to produce this shockathon (she is one of the few female actors in Bollywood to turn producer) speaks volumes about the risk-taking streak she has brought to her career so far.

    Mar 2018
  • Sonu Ke Titu Ki Sweety

    It is possible that Ranjan may make a better film some day, once he recovers from his raging hatred towards women and realises that in giving vent to that feeling, he is also repeatedly portraying men as manipulable fools and cowards.

    Feb 2018
  • Pad Man

    For a film that is about self-sustenance among women, there is also some needless patriarchal dialoguebaazi about a mard being one who can provide raksha (protection) to the women in his life. That said, there is so much in Padman that is enjoyable and meaningful.

    Feb 2018
  • Kuldip Patwal

    As exasperating as its ideology is the narrative style, which jumps from flashback to flashback to – sigh – yet another flashback, for no particular reason other than that someone probably considered this a smart thing to do.

    Feb 2018
  • Vodka Diaries

    The mystery here is not who the killer is, who died or whether someone died at all. The mystery is who the hell greenlit this undercooked script, deeming it worthy of being made into a film.

    Jan 2018
  • Kaalakaandi

    It is hard to believe that a film directed by the writer of Delhi Belly is, for the most part, a drag. Despite Saif Ali Khan being in cracking form, Kaalakaandi lacks fizz and purpose.

    Jan 2018
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