publication

Blogical Conclusion

Highest rating for
Lowest rating for
Number of reviews
361
Average rating
41

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Title

Rating

  • Kalank

    ...the overall feeling is that of disappointment. Kalank is certainly not a lazy failure, but it ends up being an odd bird: watchable, but neither generic enough to overlook its flaws nor specific enough to embrace with all your heart.

    Apr 2019
  • Ek Ladki Ko Dekha Toh Aisa Laga

    This very “safeness” is this film’s secret strength. This isn’t Blue is the Warmest Colour. It’s a YashRaj-style romance with two girls. Without discomfiting the mainstream audience, it makes it possible to talk about a “bedroom subject” in the living room.

    Feb 2019
  • Manikarnika

    ...is all ingredients. There’s no cook. Technically, of course, there are two: Radha Krishna Jagarlamudi and Kangana Ranaut. But there’s very little in the film that looks “directed”. It’s just a dull series of events...

    Feb 2019
  • Simmba

    On his good days, Salman Khan can really carry off a “mass” movie. But based on his extraordinary performance in Simmba, Ranveer Singh can apparently do this even on a bad day.

    Jan 2019
  • Gold

    Unlike Talaash, which was incendiary material that could be handled in Reema Kagti’s tasteful style, Gold needs a director who’s a shameless hustler.

    Aug 2018
  • Saheb Biwi Aur Gangster 3

    ...is a bit of an underwhelmer, but not unwatchable — and the reason goes back to what the Randeep Hooda character said in Part 1: “Is haveli ke sab log pagal hain.” Everyone’s bonkers — even the filmmaker.

    Jul 2018
  • Veere Di Wedding

    ...is a lazy film, too content with easy zingers. Issues are raised and resolved in so little time, it looks like a new scripting technique: premature elucidation. But whenever the film doesn’t try too hard to show you how hip it is, it’s not entirely unlikeable.

    Jun 2018
  • Raazi

    I’m happy Raazi is a hit. We need more heroine-driven films to work broadly — and not just in a few metro pockets. But the film is broad, too, as is Alia Bhatt’s performance, though she is a victim of the writing and filmmaking.

    May 2018