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  • One Day

    The story of a vigilante judge trying to bring justice once he has given up the duty of following the rule book had potential, but Ashok Nanda’s direction exposes flaws in the performances and tears open the already gaping holes in Alaukik Rahi’s story.

    Jul 2019
  • Article 15 the best that Indian cinema can be in these troubled times if it chooses to hold a mirror up to our society, compelling us to confront the worst that we are and the best that we can be when we are not busy saving our own skins. 

    Jun 2019
  • Nakkash

    In terms of narrative style, Imam swings between naturalism and an occasionally operatic tone, which suits Nakkash well. The plot is not designed as a thriller meant to dazzle us with its twists and turns. It is instead a believable slice-of-life saga in a toxic setting.

    May 2019
  • De De Pyaar De

    ...has been marketed as an older-man-younger-woman romance, but make no mistake about this: what it truly is is a vehicle for claims of universal male victimhood, better disguised than its co-producer and co-writer Luv Ranjan's three directorial ventures

    May 2019
  • Blank a hit-and-miss. It is a great debut for Karan Kapadia though, who despite the presence of a seasoned actor in Sunny Deol, stands out as the star of the film.

    May 2019
  • Kalank is fronted by such a likeable cast and comes in such pretty packaging. There is nothing pretty though about the lack of nuance in its portrayal of Hindu-Muslim equations...

    Apr 2019
  • Romeo Akbar Walter

    ...chooses to tell the other, more populist side of the story. Though that is completely the makers' choice, one wishes they would have not given up on nuance while translating the popular sentiment into a half-baked spy thriller.

    Apr 2019
  • No Fathers In Kashmir

    For a fictionalised feature to shine a light on the most contentious aspects of Kashmir's tragedy - from hypocritical fundamentalists to half widows and mass graves - takes immense guts irrespective of which political party is in power at the Centre.

    Apr 2019
  • Notebook not perfect, but like the sterling Kashmir waterscapes in the film camouflaging so much turmoil, and captured here so beautifully by cinematographer Manoj Kumar Khatoi, it too is worth a visit.

    Mar 2019
  • Kesari

    Irrespective of what the 36th Sikhs' actual motivations were, obviously theirs was a historic last stand worthy of a film. When an honest army procedural could have had an impact, the team of Kesari chose instead to be a barely disguised propaganda vehicle and to chronicle this remarkable episode with self-defeating twists.

    Mar 2019
  • Mard Ko Dard Nahi Hota

    ...the film remains watchable throughout, despite all its shaky foundation, precisely because it gives us an experience we rarely see in Indian cinema. It is stylish and cool and silly all at once, which does work in its favour as well.

    Mar 2019
  • Hamid a beautiful story whose translation to the screen is delivered with wildly different results throughout its run-time. The moment it threatens to hit the bottom of the barrel, it is revived in a manner which is nothing short of extraordinary, slowly bringing the film back to life and coming close to living up to its rich potential.

    Mar 2019
  • Photograph

    While there's humour and pathos, Batra lacks a firm grip on the story and it starts to get away from him midway through the film, making it hard for anyone to really get lost in it. In the end, you can't help but feel shortchanged.

    Mar 2019