Hindustan Times

Highest rating for
Lowest rating for
Number of reviews
Average rating

Order by



  • Kabir Singh

    ...I assumed Vanga (Director Sandeep Reddy Vanga) was making a cautionary tale. Instead, Kabir Singh actually applauds its pathetic protagonist, and ends up an obnoxious celebration of toxic masculinity.

    Jun 2019
  • Game Over

    ...reaches its triple-header final act swiftly, then devolves into a witless muddle, with filmmakers ramping up sudden thrills but not seeding in the problem-solving elements the film needed.

    Jun 2019
  • Bharat

    Despite knowing what the film is trying to do, in some cases easily guessing plot turns in advance, you cannot help but enjoy it. This one is an Eid winner. Bhai just got his mojo back.

    Jun 2019
  • India‘s Most Wanted

    All this film needed to be was smart. It is thorough — there is much waiting around and scrutiny of agents and potential double-agents — but for a film about intelligence, this isn’t particularly bright.

    May 2019
  • De De Pyaar De

    There is genuine fodder for situational comedy, but debutant director Akiv Ali can’t strike the balance between clever humour and broad farce, making something that wants to be intelligent but looks (and sounds) like a Priyadarshan slapstick climax.

    May 2019
  • Chhota Bheem: Kung Fu Dhamaka

    Animated films work because of how good the lines are, and Chhota Bheem appears content to settle for a few fat jokes. It’s a pity, because kids watching deserve a film as bright and spunky as the animation looks.

    May 2019
  • Blank

    ...this could have been pulpy fun and there is some promise. The hand-to-hand combat sequences are shot grungily, with extreme close-ups, but while Blank wants to be a heavy metal movie, it is basically a kid with a noisy amp.

    May 2019
  • Kalank

    From verbose lines to obscene opulence, Kalank is too theatrical and stage-y to feel current, which is where the old-world setup works… until it doesn’t. More attention is paid to the chikan embroidery on the husband’s kurtas than to the climactic revolution, and the third act exposes the story’s hollowness while the film flits inconsequentially between timelines.

    Apr 2019
  • Mard Ko Dard Nahi Hota an ode to joy, an ebullient celebration of the cassette-tapes its maker has been brought up on. It is an action film, about fights and villains and the importance of pain, and Bala serves up chopsocky goodness not only with directorial flair, but with the benevolence of a friendly neighbourhood ‘Chinese-van’ cook, drowning chowmein in soya sauce and vinegar.

    Mar 2019
  • Photograph

    More than anything else, this film is poetry. Photograph reminds us to believe in minor magic. Here is a film about a city that makes room for everything, from formulaic films to ghosts. Like when posing for a camera, all we need to know is where to look.

    Mar 2019
  • Badla

    ...remains an engaging film, and while we can blame Ghosh for casting Bachchan and somewhat spoiling the climax, he can’t possibly be blamed for casting that man in a role that requires a lot of talking.

    Mar 2019
  • Luka Chuppi takes good material and excellent performers and turns them into caricatures. Sure, it has its moments and the second half is largely enjoyable, but you have to wait for the fun.

    Mar 2019
  • Total Dhamaal

    The script is unforgivably lazy. There are setups galore — a car has a bonnet both at the front and at the back — but there are no payoffs. Instead, Kumar and his actors move from setup to setup, hoping we have indeed left our brains at home.

    Feb 2019
  • Gully Boy the first great Hindi film of 2019 and a rousing celebration of spunk. The writing is enthralling, the texture fantastic, and this world is a revelation.

    Feb 2019
  • Thackeray

    This is either an oblivious or blatantly self-aware film, a work not of propaganda as much as it is a work of pride, celebrating a legacy of violence.

    Jan 2019
  • Manikarnika

    There is much intent on display, and while Manikarnika could surely have been sharper, its very existence feels like an arrow against cinema’s patriarchy, a broadside against the boys.

    Jan 2019