publication

Mint

Highest rating for
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Number of reviews
338
Average rating
41

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Title

Rating

  • Veere Di Wedding

    Everything about this film is deliberately put together, like the cushion covers co-ordinated with kaftans and teacups. If only, like Meera, who carries her girth with aplomb, all of Veere Di Wedding had been as natural and comfortable.

    Jun 2018
  • Raazi

    Like she did in Talvar, Gulzar assembles and marshals an expert ensemble. It’s a pleasure watching a detail-oriented director like her collaborate with an actor like Bhatt, who has a knack of making the tiniest gestures count.

    May 2018
  • Omerta

    Mehta’s frequent juggling of timeline and location means the jag and jump of the filmic technique matches the fragmented nature of the narrative. The chaos is needed, for though there’s some shock in Omerta, there’s little surprise.

    May 2018
  • Daas Dev

    There are so many vested interests in this microcosm of UP politics that I wished I had a cheat sheet to keep track of who is who and why they are betraying and killing each other.

    Apr 2018
  • Beyond The Clouds

    ...had it not been Majidi making this, it’s debatable whether Beyond the Clouds, which feels like an artily rendered patchwork of stock Mumbai film moments, would have been on anyone’s radar.

    Apr 2018
  • Baaghi 2

    The ridiculousness of such scenes almost distracts from the noxious nature of this film, which dilutes its near-constant violence with cheaply bought nationalism.

    Mar 2018
  • Hichki

    ...often comes across as parachute filmmaking—dropping in on a problem just long enough to prick the viewer’s conscience and make them feel like they’re watching something meaningful, but avoiding any sort of meaningful engagement.

    Mar 2018
  • Pad Man

    ...is sanitised and sweet, and its message is not just to encourage the use of sanitary pads, but that with the right motivation, imagination and a whole lot of patience you can solve problems with ingenuity

    Feb 2018
  • Padmaavat

    ...the Karni Sena has unwittingly been protesting a wet dream of Rajput pride. Pride beyond logic, pride in defeat, in suicide, in abetting suicide.

    Jan 2018
  • Kaalakaandi

    ...it is technically inconsistent and the narrative doesn’t quite pull together. You are waiting for the loose plots to come together as the film nears its end, but that does not happen quite to satisfaction. You are left with some doubts, a lack of closure, like there’s maybe something that slipped between the writing and the final edit.

    Jan 2018
  • Mukkabaaz

    ...is a bracing start to the movie year—overstuffed, enjoyable and urgent. It doesn’t have big stars, but feels like a commercial movie in a way that Bombay Velvet didn’t.

    Jan 2018
  • Ajji

    ...is one of the most unsettling experiences you’ll have at the movies this year. Whether it adds up to much more than exploitation-art is another question.

    Nov 2017
  • Kadvi Hawa

    Panda does not preach or offer solutions. Juxtaposing two characters, two different geographies, communities and lives affected by changing winds and global warming, he simply asks us to face a bitter truth before its impact is irreversible.

    Nov 2017
  • Chef

    Like the original, it’s a film that’s easily consumed, even if, like the original, the emotional beats being stressed are amusingly obvious.

    Oct 2017
  • Judwaa 2

    Leave your brain at the door, they used to say about Dhawan’s films. I did that today, and when I picked it up on the way out, it thanked me.

    Sep 2017
  • Haseena Parkar

    Kapoor launches into the role with complete commitment, though one can question both the plausibility of her playing the part of an intimidating middle-aged godmother and her ability to bring in nuance.

    Sep 2017
  • Simran

    After all the drama of the last month, it’s nice to be reminded that offscreen Ranaut, no matter how entertaining or scandalous, cannot hold a candle to onscreen Ranaut.

    Sep 2017
  • Daddy

    It feels like an extension of the idea of the Mumbai gangster as family man that Bheeku Mhatre introduced some 20 years ago, just as Daddy seems to build on the legacy of Satya while pushing the Indian gangster film into darker, more ambiguous territory.

    Sep 2017
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