publication

Mumbai Mirror

Highest rating for
Lowest rating for
Number of reviews
854
Average rating
44

Order by

Date

Title

Rating

  • Gali Guleiyan

    Writer-director Dipesh Jain invests in his characters and encourages audiences to experience their lives and speculate about the circumstances they find themselves in. The film, for a large part, manages to effectively convey the discomfort the characters endure.

    59

    Sep 2018
  • Stree

    A film like this required a steady hand to carefully balance the chills and thrills along with the outlandish one-liners, ensuring neither is watered-down by the other.

    49

    Aug 2018
  • Gold

    Director Reema Kagti ticks all the boxes here but seems a bit afraid that the proceedings could spill over into forced patriotism.

    59

    Aug 2018
  • Mulk

    Director Anubhav Sinha touches a relevant nerve with Mulk, and this fictional story seems believable as marginalised groups continue to be routinely targeted in this country.

    59

    Aug 2018
  • Vishwaroop II

    The first part of this film had shocking twists such as the drastic transformation of an effeminate Kathak teacher who was a closet Bond tailing terrorists. This one is a watered-down version that barely draws on the veteran actor’s many talents and scripts its own demise.

    39

    Aug 2018
  • Karwaan

    This one can be summarised with a dialogue from the film which rings true for the overall mood it manages to evoke — “Aaj ke zamaane mein ‘not bad’ bhi badi baat hain.”

    49

    Aug 2018
  • Fanney Khan

    ...is only mildly inspirational, and lacks the intensity and thrill that would force audiences to imagine the worst when the story takes an unexpected turn.

    49

    Aug 2018
  • Mulk

    The first half of Mulk is crisp. Events unravel swiftly and unexpected turns manage to translate the tension, frustration and anxiety across the screen. But the second half is largely restricted to a courtroom procedural which is reduced to a tedious theatrical drama where every punchline is followed by a laughter track or so it seems.

    59

    Aug 2018
  • Nawabzaade

    What passes for comedy these days is a broad spectrum of average writing. This one doesn’t have a single line that even meets that basic minimum.

    19

    Jul 2018
  • Dhadak

    Director Shashank Khaitan, who previously helmed Humpty Sharma Ki Dulhania and Badrinath Ki Dulhania, plays it safe with this Rajasthani runaway bride. Sticking to tested tropes, he barely reinvents the premise of the original.

    49

    Jul 2018
  • Soorma

    Ali intensifies the falls and amplifies the sufferings to an extent that the inevitable win has a bittersweet tinge. If he could’ve cut down some of the bhangra and a bit of melodrama, this could’ve been a much crisper watch.

    69

    Jul 2018
  • Sanju

    Unsurprisingly, this one effectively carves him as a victim of circumstance, an addict of compulsion and as someone who was wronged by media reports and the public at large. But it also evens it out by presenting the actor as an unreliable boyfriend, a failure-of-a-son and a washed up actor who was notoriously unprofessional.

    69

    Jun 2018
  • Veere Di Wedding

    While this one works as a breezy film on girl bonding, it gets a bit tedious while taking a stab at patriarchy. In fact, a message it hopes to convey on the societal pressures endured by women is lazily tucked into a dialogue. “Pehle shaadi karo, phir bachcha, phir bachcha hua toh doosre bachche ka pressure.” It almost seems like old whine in a new bottle.

    59

    Jun 2018
  • Bioscopewala

    ...claims to be “inspired by the characters” of the timeless classic hopes to retain the elements of the original story — of love, loss and redemption. In this pursuit, however, it drags the story in various directions — loosely packs in mystery but keeps it from turning into a procedural investigation.

    49

    May 2018
  • Parmanu

    Director Abhishek Sharma had a compelling story which could’ve rendered a thrilling watch, if only he could’ve focussed on telling it with some conviction. Perhaps throwing in a few more turns in the script and cumulatively making the inevitable seem bleak may have been the answer.

    49

    May 2018
  • High Jack

    Comedies featuring potheads are either dope-fuelled adventures (Go Goa Gone) or supply chain masala khichdis (Dum Maaro Dum). This one is on the cusp of migraine and vertigo and promises to mass murder brain cells.

    29

    May 2018
  • Khajoor Pe Atke

    Enough fodder for a black comedy? Perhaps, but this one goes a bit overboard, and the practical humour they hoped to conjure seems only too laboured.

    49

    May 2018
  • Hope Aur Hum

    There are films which alter one without hammering down the message they hope to convey. Then, there are those like Hope and Hum which aspire to take on too much and breeze through it all without managing to achieve anything at all.

    39

    May 2018
  • Raazi

    Unlike most films within the genre that focus chiefly on the ‘operation’, Raazi also delves into the debilitating position that secret agents who stumble in and out of the margins of history must sometimes assume.

    69

    May 2018
  • Daas Dev

    The film’s plot seems unnecessarily layered and often forces one to recount the various permutations to keep up with where the story is possibly headed.

    49

    Apr 2018