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The Hindu - Page 17 of 18 | Publications | Review Schview


The Hindu

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  • Gunday

    If only the director had the guts to channel all the sexual tension into a Brokeback Mountain-esque love story instead of this faux bromance. Unfortunately, the characters are completely in denial of this chemistry and stick to the unwritten rules of the System.


    Feb 2014
  • Haseena Parkar

    Don’t go looking for a Shabana Azmi-like assured turn (in Godmother) from Kapoor. She is unable to rise above her age, despite trying to emote way too earnestly in some scenes.


    Sep 2017
  • Munna Michael

    The makers may walk home with money, Shroff with more fame, but the audience will return with a message that you could get away anything as long as it is cloaked in song and dance.


    Jul 2017
  • Jhootha Kahin Ka

    ...Kang can’t stop the humour turning loud and crass with double entendre slipping in, specially when it comes to women. It’s not just the sexist jokes, here the women are rendered deliberately vapid and inconsequential...


    Jul 2019
  • Mahabharat

    Mahabharat deserves a liberal reading but apart from Karna’s episode Amaan has remained true to the traditional rendering of the epic and there is hardly any effort to delve into the moral dilemmas of the characters.


    Dec 2013
  • Department

    It's high time the filmmaker struggling with form realised that this nauseatingly gimmicky camerawork he has been afflicted with in his last few films distracts from the story.


    May 2012
  • Alone

    Bipasha Basu, however, has become the Bhai of the horror film genre, minus the box office appeal, of course. You can easily switch scenes between her films and nobody would even know. They all have Bipasha doing exactly the same thing.


    Jan 2015
  • Bhoomi

    Sanjay Dutt hasn’t lost his acting chops yet, rather seems to be maturing well. But why did he have to pick up a film this regressive for a return?


    Sep 2017
  • Tera Intezaar

    ...is most consistent when it comes to the inherent messiness-it’s tacky in every which way, from the first frame to the last. The tawdriness reflects in every single department of filmmaking.


    Dec 2017
  • Raaz Reboot

    Nothing changes in the fourth of the Raaz franchisee. If at all the chills and thrills seem to run dangerously out of steam and some scenes turn out unintentionally funny.


    Sep 2016