The New Indian Express

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  • Why Cheat India a neatly-observed film that needed more tonal clarity to be taken seriously. It features a refreshingly amoral protagonist, portrayed by a talented male lead — but the faux-thriller-like posturings of what is essentially a dark social satire gives him little elbow room to play with.

    Jan 2019
  • Bombairiya

    And though Bombairiya is far from perfect, it is an ideal example of how that statement rings true. Sukanya and her team deserve to be commended on a decent effort all round.

    Jan 2019
  • Uri

    ...plays out in the precarious sub-genre of the 'well-made' propaganda. The ambitious production design and consistent visual flair come scarily close to masking out the timely histrionics. The film is well-executed, if not well-intended.

    Jan 2019
  • Simmba a decent enough commercial film when not angling for resonance — with some of the funnier lines really popping on screen — but its self-serious orations on the topical issue of rape make a parody of the whole situation.

    Dec 2018
  • Zero

    This film reimagines the all-consuming charisma of its leading man with a cool spin, but constantly cushions it in padding just in case he falls. The result is a middling vaudeville occasionally lifted by a clever line or a peak in the music score, pushing towards a trite and predictable climax that can be seen from space.

    Dec 2018
  • Kedarnath

    Abhishek Kapoor melds two difficult subjects — interfaith romance, natural calamity — while working within a moderate budget. The writing is clunky and the payoff unearned, and everything feels like a drag at the two-hour runtime. The execution hurts the most.

    Dec 2018
  • Bhaiaji Superhittt

    Films like Bhaiaji Superhit were once considered senseless fun. Today, they bear the shuddering foretaste of a zombie apocalypse, one where out-of-wind actors raise the undead of their past glories and come rushing towards the audience, desperate for one last bite.

    Nov 2018
  • Pihu

    The set-pieces are intriguingly imagined, but they mesh oddly, and entire sequences, like unmatched pieces of Lego, refuse to fit into each other. 

    Nov 2018
  • Tumbbad

    It is not easy for a subversive horror film to trim away its genre tentacles and still land an 800-screen release. Tumbbad has pulled off a rare trade-off, but its authenticity has taken some beating. It is the closest we have come to breaking new ground, but is it really the way forward?

    Oct 2018
  • Jalebi

    Filled with laughable coincidences, a penchant for melodrama, and an unnecessary romanticisation of love and heartbreak, Jalebi fails to make any sort of impression on you.

    Oct 2018
  • Manto

    It makes brave pronouncements on artistic freedom, religious violence and abject nationalism without losing sight of its investigative rigour— the film illustrates; it does not preach. Such mindfulness is often absent in our cinema, a medium so susceptible to rage, but Manto stands apart as a poignant exception.

    Sep 2018
  • Stree

    The subtext is heavy, but not heavy-handed. The film swings intently between humour and exposition: there’s depth to be explored, but also fun to be had.

    Aug 2018
  • Mulk the sort of film that sheds light on all that is wrong with India. It can only be hoped that a dramatisation of real events makes people sit up and think about altering attitudes and doing away with prejudices that are governed by fear and a lack of basic understanding.

    Aug 2018