An archive of Hindi movie reviews and ratings from 2010 to 2020.

critic

Anna M.M. Vetticad

Highest rating for
Lowest rating for
Number of reviews
409
Average rating
42

Order by

Date

Title

Rating

  • Vishwaroop II

    Apart from the shock value of the extreme violence it features and a vital statement about fundamentalism-versus-education, Vishwaroop II has nothing new to offer. It is a scar on Haasan’s filmography and a dead bore.

    29

    Aug 2018
  • Housefull 3

    ...taking the audience lightly with lazy scripting, skating along instead on the charisma and goofiness of its central male star, goodwill for many of the remaining cast members and occasional patches of witty absurdity.

    29

    Jun 2016
  • Shortcut Romeo

    Ganeshan's direction is inconsistent. There's a disconnect between his storytelling style in different parts of the film. Plus he elongates a story that might have been effective as a one-and-a-half-hour songless thriller into an over-two-and-a-half-hour long, song-filled affair.

    29

    Jun 2013
  • Mantra

    If the film does not come together as a whole, it is for clearly identifiable reasons: first, the cast is a mixed bag; second, the English dialogues do not sit well on several of them; third, the equation between the five Kapoors is not fully established...

    29

    Mar 2017
  • Roohi

    ...what we get are sporadic bursts of comedy, interspersed with unfunniness, extended passages of nothing much, a spot of ageism, too many extraneous elements...

    29

    Mar 2021
  • Raabta

    It is hard to imagine why Vijan chose to make his directorial debut with this unremarkable enterprise in which Sushant Singh Rajput, Kriti Sanon and pretty visuals are all drowned out by tedium.

    19

    Jun 2017
  • Bank Chor

    Despite its many misses, Bank Chor has more verve. Whatever little progress Bumpy has made as a filmmaker, however, is far outweighed by the insidious messaging of this film which cashes in on the prejudices that wrack Indian society today below a mask of good intentions, comedy and thrills.

    19

    Jun 2017
  • The Fakir Of Venice

    Everything in the film feels half-hearted. Neither Farhan Akhtar’s charm nor Annu Kapoor’s commitment can save this semi-baked effort. To be fair to it, it is not excruciating or insufferable, it is simply immensely forgettable.

    19

    Feb 2019
  • De De Pyaar De

    ...has been marketed as an older-man-younger-woman romance, but make no mistake about this: what it truly is is a vehicle for claims of universal male victimhood, better disguised than its co-producer and co-writer Luv Ranjan's three directorial ventures

    19

    May 2019
  • Shorgul

    ...screenplay by Jitendra Tiwari is effective in not taking sides with either community involved. Unfortunately, it takes its title very seriously and ultimately loses itself in its own din.

    19

    Jul 2016