An archive of Hindi movie reviews and ratings from 2010 to 2020.

critic

Anna M.M. Vetticad

Highest rating for
Lowest rating for
Number of reviews
409
Average rating
42

Order by

Date

Title

Rating

  • Rangoon

    The Bhardwaj who made Maqbool, Omkara and Haider is a man perfectly suited to a film like Rangoon. Sadly, without the writing brilliance of the director’s Shakespeare trilogy, Rangoon gets many things right, but fails to come together as an involving, engaging whole.

    49

    Feb 2017
  • Karwaan

    There can be no more appropriate a description of Karwaan: it is not earth shattering, but it is not bad at all. Which is another way of saying it is an intelligent, funny, thoughtful film and a pleasant experience.

    49

    Aug 2018
  • Dream Girl

    Just when you think Dream Girl has succumbed to what critics have in the past called The Curse of the Second Half though, it picks up once again thanks to certain cast members with unfailing comic timing.

    49

    Sep 2019
  • Chhapaak

    ...means well, no doubt, but the screenplay is surprisingly thin – surprising because of Meghna’s brilliance with Raazi and Talvar. Combine that with plotline weaknesses, an excessive effort to stay low key and the unexpected shot at being a conformist fairytale in the end, and the result is a film that seems curiously detached from its heroine, despite the devastating true story that inspired it.

    49

    Jan 2020
  • Pad Man

    For a film that is about self-sustenance among women, there is also some needless patriarchal dialoguebaazi about a mard being one who can provide raksha (protection) to the women in his life. That said, there is so much in Padman that is enjoyable and meaningful.

    49

    Feb 2018
  • Happy New Year

    Team Farah-Shah Rukh are capable of much better in the over-the-top genre that they favour together. Happy New Year is a step down from Om Shanti Om, but if you enjoy boisterous entertainment that is still not entirely mindless, it’s worth a visit.

    49

    Oct 2014
  • Notebook

    ...is not perfect, but like the sterling Kashmir waterscapes in the film camouflaging so much turmoil, and captured here so beautifully by cinematographer Manoj Kumar Khatoi, it too is worth a visit.

    49

    Mar 2019
  • Holiday

    The problem with Holiday is that the formulaic comedy and romance end up diluting the thriller that it is intended to be, while the entire film is weighed down by its senselessness.

    49

    Jun 2014
  • Raees

    The first half of Raees is supremely interesting and filled with promise. Besides, Shah Rukh Khan is a joy to watch in this new, exploratory innings of his career. The second half lets him down though. Style trumping substance is rarely a good thing for a film.

    49

    Jan 2017
  • Fitoor

    The pain, the rejection, the searing desire for revenge, the all-conquering power of love – none of it is adequately conveyed in this film which, by the time its final scene rolled around, left me as cold and detached as Estella’s heart was when she first met Pip.

    49

    Feb 2016
  • Ishaqzaade

    Discussing the music, cinematography and other technical aspects of Ishaqzaade seems superfluous considering the way the film’s fun and seemingly feminist first half is marred by its anti-women second half.

    49

    May 2012
  • Traffic

    Drama is intrinsic to these situations and to the larger, multi-cultural Indian reality, without the crutch of high-decibel songs or explicit moralising. If Team Traffic had understood that, this could have been a great film. As things stand, it is an uneven, unsatisfying ride.

    49

    May 2016