Aseem Chhabra

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  • Gully Boy

    ...Akhtar grabs our hand and walks us through a world that few of us know, even though it exists in Mumbai and other parts of India.

    And now we are blessed to have witnessed that world, breathed its smells and most importantly heard its sounds.


    Feb 2019
  • Island City quite unlike any recent Hindi film. The complex narratives, laced with humour and satire, keep us enthralled while also presenting the deeper issues of life.


    Sep 2016
  • Raman Raghav 2.0

    There is real good cinema in that scene towards the end of the film, and also a reminder that Kashyap has a lot of talent. He just needs to stop making films that are very similar.


    Jun 2016
  • Kshay

    ...a very satisfying film and it needs the support of every filmgoer who cares for good cinema.


    Jun 2012
  • Aarakshan

    I wish people would see Aarakshan and instead object to Jha's vision, the execution of his muddled script, which half way through forgets its purpose, and varying degrees of unimpressive performances.


    Aug 2011
  • Dhobi Ghat

    A rare Indian film which has the feel of European and other Asian cinemas, and yet is firmly grounded in the realities of Mumbai.


    Jan 2011
  • Tees Maar Khan

    Every actor, every character -- the leads, cops, criminals, even the vast supporting cast and extras -- appear to be idiotic caricatures. The premise of the film -- although taken from After The Fox -- the writing, and dialogues emphasise and celebrate stupidity.


    Dec 2010
  • Aashayein like many of Kukunoor's successful films -- Hyderabad Blues, Iqbal and Dor -- unique stories that start with good intentions, but eventually the treatments amount to nothing spectacular.


    Aug 2010
  • Raavan overwhelming film. At times a tad bit overproduced, the film is an onslaught of brilliant use of technology on the viewer's senses -- stunning cinematography, the fluidity of the camera, quick edits, loud soaring music, with the actors thrown into wild nature.


    Jun 2010