Baradwaj Rangan

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  • Indu Sarkar

    The storytelling is undeniably (and unsurprisingly) broad, but the masala treatment transforms what was simplistic and didactic in Bhandarkar’s earlier films into something touching, open-hearted, sentimental in a sweetly cornball style.


    Aug 2017
  • 2 States

    This material, based on Chetan Bhagat’s novel 2 States: The Story of My Marriage, might have worked if treated with slapstick energy. Instead, Varman tries to class it up.


    Apr 2014
  • A Gentleman

    Good directors are allowed to make bad movies, but with Happy Ending and, now, A Gentleman, Raj and DK have ventured into a peculiar place: they’re making bland movies. There’s no personality, only empty professionalism.


    Aug 2017
  • ABCD - Any Body Can Dance - 2

    How you respond to ABCD 2 will probably depend on how much you follow dance-reality shows on television, how much you like hip hop moves, and, most important, if you’re still at an age where you squeal when people you like show up on screen.


    Jun 2015
  • Agent Vinod

    Why do filmmakers who work so well within the confines of Bollywood mandates feel pressured to set course for western horizons? Is it simply not enough, anymore, to tell a solid story in an emotionally engaging manner, without stopping, periodically and apologetically, to unburden a guilty conscience?


    Mar 2012
  • Airlift

    ...a fine example of how it’s possible to incorporate Western understatement into a very Indian movie, and, more importantly, a fine model for how our aging heroes can continue playing the action hero.


    Jan 2016
  • Akira

    The low-budget, indie vibe that contributed so much to the gritty atmosphere in the original is sacrificed for big-budget razzle-dazzle – everything looks like a set. The film is very broadly staged, like something out of the 1990s – or a TV serial of today.


    Sep 2016