An archive of Hindi movie reviews and ratings from 2010 to 2020.

critic

Gaurav Malani

Highest rating for
Lowest rating for
Number of reviews
65
Average rating
53

Order by

Date

Title

Rating

  • Lahore

    With a perfectly predictable plotline, if a film still keeps you riveted through its runtime, you know there’s something earnestly right about it.

    59

    Mar 2010
  • De Dana Dan

    ...a quickie flick which is hastily written, rapidly filmed, has swift storytelling and speeding characters giving you no time to breathe, gasp, feel, absorb react or relate.

    49

    Nov 2009
  • Shaapit

    Shaapit , like most formulaic frightful films, is a horror flick where the tone, tempo and variation of the background score determines the moment of spook.

    49

    Mar 2010
  • Jail

    Compare Jail to Madhur Bhandarkar’s earlier works and you would be disappointed to a degree. Nevertheless, compare it to many other mediocre movies of today and Jail is still a step ahead.

    49

    Nov 2009
  • Rann

    Rather than a story designed around the media world, Rann is more of the clichéd corrupt politician chronicle (that Bollywood has been narrating since ages) set on the backdrop of the broadcasting business.

    49

    Jan 2010
  • Hum Tum Aur Ghost

    Arshad Warsi’s debut as a writer is so ‘lifeless’ in Hum Tum aur Ghost that even his ‘spirited’ performance isn’t able to save the dead slow film from dying a slow death.

    39

    Mar 2010
  • Tum Milo Toh Sahi

    ...starts as a simple story but for the first half hangs aimlessly like people whiling away in a coffee shop. The second half is too slow and too many songs only slacken the pace.

    39

    Apr 2010
  • Prince

    Vivek Oberoi suffers intermittent convulsions through the film as his brain hangs like a computer. Wish the viewer had a Ctrl+Alt+Del option. Alas all they can do is curse the makers literally asking them ‘ dimag kharab ho gaya kya? ’

    39

    Apr 2010
  • Milenge Milenge

    Watch it only if you are just interested to see Kareena when the term size zero wasn’t coined. Else Milenge Milenge doesn’t score much above zero.

    39

    Jul 2010
  • Pyaar Impossible

    The moral of the film is that one shouldn’t judge a person by their looks. Going by that, however cool this candyfloss flick might appear, it’s still shallow on content.

    39

    Jan 2010
  • Housefull

    ...slap on your senses as the film sticks to the slapstick genre in every literal sense. It’s shocking that the director feels electrocution scenes are funny even in current times and stretches the sequence with no potential difference from Tom and Jerry cartoons.

    39

    May 2010
  • Chance Pe Dance

    Ken Ghosh’s dance-drama takes no chance in experimenting with storytelling style and ends up being an extended version of the music videos that he used to direct before making feature films.

    39

    Jan 2010
  • Right Yaaa Wrong

    The supposed suspense in the first half is as lame as its protagonist with a perceptible double-cross at the interval point. The identity of the killer is revealed to the viewer soon after and with nothing left to your imagination, the genre changes from suspense-thriller to courtroom-drama.

    39

    Mar 2010
  • Aakrosh

    Priyadarshan has constantly been arguing that he switched to mindless comedy capers from meaningful serious cinema because the latter has no takers. If this is the kind of serious cinema he has to offer, we are better off with his comedies.

    29

    Oct 2010