An archive of Hindi movie reviews and ratings from 2010 to 2020.

critic

Namrata Joshi

Highest rating for
Lowest rating for
Number of reviews
419
Average rating
40

Order by

Date

Title

Rating

  • Zero

    The characteristic outstretched arms of SRK get smaller, as does his height, the creative ambition gets bigger but the film stays resolutely middling when it could have been much more.

    39

    Dec 2018
  • Ek Villain

    A clumsy mess of a narrat­ive loop—stories within stories and backstories within back­stories, all leading nowh­ere.

    39

    Jul 2014
  • Guzaarish

    Bhansali's painterliness wreaks havoc on the subject. The visual excesses distract from the basic emotions. You don’t feel for the central character.

    39

    Nov 2010
  • Baby

    In the name of supposed 'realism', the film plays on and magnifies the popular percepti­ons about 'Islamic terror'.

    39

    Jan 2015
  • Street Dancer 3D

    The dance here looks like action set-pieces, bodily contortions and jumps and leaps in the air. Similar and repetitive at that, and stretching way too long over 150 minutes.

    39

    Jan 2020
  • Simmba

    Be it as brutal violators or patronising saviours of women, Simmba shows that it all boils down to the same toxic masculinity which the men behind Simmba have been perpetuating film after film. There is a saying in Hindi: “Sau choohe khake billi haj ko chali (After eating a hundred rats the cat goes on a pilgrimage)”. Need I say more?

    29

    Dec 2018
  • Sarbjit

    ...the director doesn’t seem to know how to calibrate emotions well. He goes overboard with melodrama, is so overtly manipulative that it leaves the various portrayals seem like cardboard cut-outs than throbbing with real life.

    29

    May 2016
  • Toilet

    If there were any doubts that Akshay Kumar is the poster boy of this regime they can be laid to rest with Toilet: Ek Prem Katha.

    29

    Aug 2017
  • Padmaavat

    ...may well be Bhansali’s most sterile and insipid outing since Saawariya and Guzaarish. It manages to wear down and exhaust rather than engage.

    29

    Jan 2018
  • Shreelancer

    All of it gets protracted, hallucinatory and pointless, the viewer’s connect with the growth, change and self-realisation in the character remain distant.

    29

    Aug 2017
  • Love Aaj Kal

    In the faux intensity and pointless philosophising of his newer lot of films the soul goes entirely missing and a turgidity underlines the telling.

    29

    Feb 2020
  • Rocky Handsome

    An adaptation can always be done with one’s own distinct touch. But Rocky Handsome is happy and satisfied in living off borrowed aesthetics even while clinging to its Indian self for all the wrong reasons. It ends up being neither here nor there.

    29

    Mar 2016
  • Force 2

    ...Abhinay Deo doesn’t want us to put the thinking cap on. He just wants to please us with long chases and car crashes, bullets and blood, the views of Chain Bridge and Hero’s Square in Budapest.

    29

    Nov 2016
  • Fanney Khan

    Despite the presence of a heavy duty cast, the film is just not able to fly. So bogged down does it get with its predictable arc and overt sense of righteousness that it ends up flat and deadening; silly rather than scintillating.

    29

    Aug 2018
  • Bombairiya

    This kind of multiple stories device has been used time and again in cinema to great effect. Bombairiya, however, is a call to give it a long, if not permanent, rest in Bollywood. Its use in the film feels entirely needless...

    29

    Jan 2019
  • Fukrey Returns

    The quirky characters and their oddball humour is again the mainstay even as the thin plot gets stretched to its utmost limits. You want the things to come to a closure fast even as they drag on and on with one laboured situation piling atop another.

    29

    Dec 2017
  • Aiyaary

    What could have been an engaging tale of army corruption ends up a convoluted film with confusing narrative devices.

    29

    Feb 2018
  • Satyameva Jayate

    Director Milap Zaveri dishes out the same old vigilante justice cinema that we grew up watching in the 80s with a special doff of the hat to the classic Deewar (1975). But his added tadkas can’t hide the essential staleness of the concoction.

    29

    Aug 2018
  • Fitoor

    ...wants desperately to be a grand, epic romance but depends way too much on its stunning Kashmir canvas to achieve that than characters and story that you can empathise with.

    29

    Feb 2016
  • Rustom

    ...there is nothing remotely credible or engaging in the thriller. The film, in fact, feels like a parody of the several murder mysteries and court room dramas we have seen down the ages.

    29

    Aug 2016