An archive of Hindi movie reviews and ratings from 2010 to 2020.

critic

Namrata Joshi

Highest rating for
Lowest rating for
Number of reviews
419
Average rating
40

Order by

Date

Title

Rating

  • Super 30

    A salutary cause and an inspirational story about the triumph of the underdog doesn’t necessarily make an engaging film.

    39

    Jul 2019
  • Sultan

    Wish there was more time and complexity given to Aarfa and her relationship with Sultan. You can sense the gloomy, bleak, problematic layers in it but the film refuses plumb the depths of it. Then it wouldn’t have remained a bhai film.

    49

    Jul 2016
  • Sulemani Keeda

    An in-group Ver­sova film that needed more to say hello to the world? Yet anot­her variation of Luck By Chance, albeit from the margins?

    49

    Dec 2014
  • Sui Dhaaga

    Sharat Katariya’s brushstrokes in 'Sui Dhaaga' may have got much more broad than in his previous outing but you still end up caring for his characters

    59

    Sep 2018
  • Street Dancer 3D

    The dance here looks like action set-pieces, bodily contortions and jumps and leaps in the air. Similar and repetitive at that, and stretching way too long over 150 minutes.

    39

    Jan 2020
  • Stree

    Between scares, laughs and trying to be feminist, the film does tend to get unwieldy and spreads itself too thin. The three elements play out inconsistently. But on the good side, as in some of the recent Bollywood films, Stree has a quaint sense of place, eccentric characters, a few madcap sequences and some sharply written, consciously irreverent lines to keep one engaged.

    49

    Aug 2018
  • Soundtrack

    It's endearing, playful and filled with laughter and banter. A heartwarming tale that makes you want to shed your cynicism and believe in love.

    59

    Oct 2011
  • Soorma

    After all, sports films meant to be electric and rousing. However, it’s this gentle ordinariness and Shaad Ali’s restrained approach that make Soorma appealing.

    59

    Jul 2018
  • Sonu Ke Titu Ki Sweety

    It was in 2011 that Ranjan first came out with a “male perspective” on the man-woman relationship in a middle class, urban scenario in Pyaar Ka Punchnama. It reached out to many. Would SKTKS now become the Bible for an entire generation of young men? Seems so.

    49

    Feb 2018
  • Sonchiriya

    It’s an intricately woven script which strings many threads and themes together—crisply, economically with hardly a note out of place. The sure-footedness, self-assurance all adding to a deadly impact.

    79

    Mar 2019
  • Sniff

    The one complaint I had with Gupte’s previous outing, Stanley Ka Dabba, was that, like so many of our children’s films, it came with a message attached. Sniff is not weighed down by that. It’s the reason why I am happy with it, but many a righteous adult might end up considering it simplistic and slight.

    59

    Aug 2017
  • Singham

    The tone is uniformally over-the-top—loud dialogue and acting, shrill jokes, dazzling colours, kitschy sets and costumes and stylised choreography.

    39

    Jul 2011
  • Simran

    What’s interesting is that her Praful is never built as a role model. The filmmaker remains non-judgmental about her; the audience doesn’t know what to make of her. I found that strangely liberating: an on-screen woman you can’t pin down or put in a straightjacket; for a change.

    49

    Sep 2017
  • Simmba

    Be it as brutal violators or patronising saviours of women, Simmba shows that it all boils down to the same toxic masculinity which the men behind Simmba have been perpetuating film after film. There is a saying in Hindi: “Sau choohe khake billi haj ko chali (After eating a hundred rats the cat goes on a pilgrimage)”. Need I say more?

    29

    Dec 2018
  • Shubh Mangal Saavdhan

    The many characters, families and relationships, their quirks and quarrels feel relatable, played as they are by an ensemble of actors who seem to be born to their roles.

    59

    Sep 2017
  • Shreelancer

    All of it gets protracted, hallucinatory and pointless, the viewer’s connect with the growth, change and self-realisation in the character remain distant.

    29

    Aug 2017
  • Shamitabh

    It all ends at the hospital, as most of Balki’s films do. Coming out of the theatre, I couldn’t help but think of his morbid fascination with sickness, disabilities and abnormalities. Sadly, the film feels more manipulative than sensitive. And also extremely boring.

    39

    Feb 2015
  • Shahid

    Portrays the psyche of the Indian Muslim in the changing, increasingly polarised India with war­mth and simplicity.

    59

    Oct 2013