An archive of Hindi movie reviews and ratings from 2010 to 2020.

critic

Nandini Ramnath

Highest rating for
Lowest rating for
Number of reviews
486
Average rating
41

Order by

Date

Title

Rating

  • Prague

    Shukla and screenplay writer Sumit Saxena lay on the twists and turns, tying themselves in knots they are unable to get out of.

    39

    Sep 2013
  • Half Girlfriend

    Bhagat’s novel suffered from the writer’s inability to imagine Riya as anything more than a half person. The film too abounds with many such half persons...

    39

    May 2017
  • Daas Dev

    Few films can survive the weight of so much loftiness and ambition. Daas Dev goes off the rails in its opening scenes and fails to return to course.

    39

    Apr 2018
  • Rustom

    Rustom’s recreation of an iconic trial echoes the narrative style of the lesser films of the period in which the actual crime occurred – it throws out the facts in favour of a simplistic and crowd-pleasing solution, glosses over its hero’s criminal behaviour, and paints its characters in black and white.

    39

    Aug 2016
  • Mohalla Assi

    What is supposed to be a satire about the exploitation of religious sentiment becomes a plodding dirge about a disappearing way of life.

    39

    Nov 2018
  • Student Of The Year 2

    The sequel that nobody wanted is neither an improvement over the original nor a downgrade of it. The bar is low to begin with, and when the butter-limbed Tiger Shroff is around, it’s easily surmounted.

    39

    May 2019
  • Shimla Mirchi

    The plot fits snugly in romcom territory, providing an update to the hill-station romances that were the staple of Hindi cinema in the 1960s and ’70s.

    39

    Jan 2020
  • Anjaana Anjaani

    ...treats suicide and people who want to kill themselves as one big joke. The movie could have been a black comedy, but the writing simply isn’t sharp enough. There is no character development worth its name.

    39

    Oct 2010
  • Ferrari Ki Sawaari

    Mapuskar directs his actors with confidence and boldly shoots the films in real locations, but the movie needed to have been crisper and quicker, more Ferrari than Ambassador.

    39

    Jun 2012
  • Detective Byomkesh Bakshy!

    Although Detective Byomkesh Bakshy! works hard on creating a convincing setting for Byomkesh to make his mark, the characters are mostly under-written and the central mystery lacks tension and a sense of imminent danger.

    39

    Apr 2015
  • Kites

    Character development is sacrificed for Hallmark moments between the leads, which are just about the only entertaining bits in the film.

    39

    May 2010
  • Bol

    Rather than schadenfreude, the emotion likely to linger on after the film is over is empathy.

    39

    Sep 2011
  • Ishkq In Paris

    If the movie works at all, it is because Prem Raj restricts the lopsided affair to 96 minutes, and Zinta’s joy at being the cynosure of attention is undeniably contagious.

    39

    May 2013
  • Dear Maya

    There is too much plot exposition, too many sequences are allowed to ramble on, and some of the dialogue verbalises feelings that are glaringly apparent. The movie is ultimately about hope, and Bhatnagar supplies too much of it.

    39

    Jun 2017
  • Love Aaj Kal

    A few of Ali’s gambles pay off up until the interval, at which point the 141-minute movie launches into freefall, never to recover. Love Aaj Kal is crammed with non-sequitur conversations and faux philosophical musings, but the best bits are the dialogue-free montages, which reflect the beauty and purity of timeless ardour that the film seems to be aiming for.

    39

    Feb 2020
  • Sanju

    It promises complexity and psychological acuity. Until a point, it appears to be on track to creating a nuanced portrait of controversy’s favourite child – but then it plummets into unquestioning and misty-eyed reverence.

    39

    Jun 2018
  • Shabri

    There's the same catatonic acting, the staccato dialogue delivery, the bursts of violence, the over-loud background score, the strange camera angles, the crooked cops and larger-than-life thugs. Perhaps it's time to give the Mumbai gangster genre a rest.

    39

    Sep 2011