An archive of Hindi movie reviews and ratings from 2010 to 2020.

critic

Shubhra Gupta

Highest rating for
Lowest rating for
Number of reviews
788
Average rating
37

Order by

Date

Title

Rating

  • Happy New Year

    And that is the problem with ‘Happy New Year’. Every where you turn, you find a scene, a line, a sequence that is familiar, from Farah’s own ‘Main Hoon Na’ and ‘Om Shanti Om’, and all the others it borrows from.

    39

    Oct 2014
  • A Gentleman

    ...we also wish that there was some more comic-book energy in the plot, which keeps sliding and slowing. That’s the only way spoofs can remain spiffy, and worthy of our complete attention.

    39

    Aug 2017
  • Sonchiriya

    ...is more a display of wonderful cinematography through which the aridness of the Chambal is lensed, and a series of kinetic hold-your-breath-till-they-end set-pieces (which includes Chaubey’s fondness for Mexican stand-offs), than an exploration of despairing people on the edge of the wedge.

    39

    Mar 2019
  • David

    ...speaks of a new kind of Bollywood which doesn't want to be slavish to stars or formulae. But it also speaks of a filmmaking which isn't quite as accomplished as it would like to be, or should be.

    39

    Feb 2013
  • Rann

    ...juxtaposes big media houses and large-scale monetary and moral corruption in a style that’s so patently Ram Gopal Varma that it leaves us with a dizzying sense of deja vu. Been here. Seen this.

    39

    Jan 2010
  • Raajneeti

    ...could have been the film of the year. It had the potential, and the actors, but it comes together only intermittently. This is not the Prakash Jha who has made some of the most politically resonant films in Hindi cinema.

    39

    Jun 2010
  • Golmaal 3

    ...the laugh-out-loud stretches are few and far between, mainly because we've seen these same guys doing the same things before, and also because the gags are running out of steam quicker.

    39

    Nov 2010
  • B.A. Pass

    Mohan Sikka's short story 'The Railway Aunty', on which the film is based, uses its atmosphere of defeat and rancidness much better. In the film, Bahl creates claustrophobia well, and then loses the story and the characters in it.

    39

    Aug 2013
  • Hasee Toh Phasee

    So many of the plot devices feel so contrived and cobbled together that you lose sight of the best things about the film. Some absolutely delightful sequences, and laugh-out-lines, get lost.

    39

    Feb 2014
  • Naam Shabana

    ...leaves you with a niggling question: why create a heroine in the action hero mode, with both mind and heart, and then give her a big bro to ‘help’ her out? This results in second-guessing your biggest asset, wondering if she is a liability.

    29

    Mar 2017
  • Qaidi Band

    More realism would have made this a film we could have believed in. But we do take away the young faces with us, especially Anya Singh whose bright-eyed earnestness is wholly convincing.

    29

    Aug 2017
  • Luka Chuppi

    If you really want to kick the bigots where it hurts, you have to do it early and hard. To lament about the horrors of live-in relationships through the film, for a last-minute turnaround live-and-let-live-speech, is not enough.

    29

    Mar 2019
  • Rabba Main Kya Karoon

    The trouble with Rabba Main Kya Karoon, as with most of these films which showcase a pair of inexperienced newcomers with a solid, ill-used supporting cast, is that it settles too easily into a sexist, let's-dump-on--these-idiot-women mode.

    29

    Aug 2013
  • Dharam Sankat Mein

    ...opens with promise, bringing up concepts that need to be spoken about, but you soon realize that the film is not as radical as it could have been, which should have been clear with its choice of title.

    29

    Apr 2015