An archive of Hindi movie reviews and ratings from 2010 to 2020.

critic

Shubhra Gupta

Highest rating for
Lowest rating for
Number of reviews
788
Average rating
37

Order by

Date

Title

Rating

  • A Gentleman

    ...we also wish that there was some more comic-book energy in the plot, which keeps sliding and slowing. That’s the only way spoofs can remain spiffy, and worthy of our complete attention.

    39

    Aug 2017
  • Sonchiriya

    ...is more a display of wonderful cinematography through which the aridness of the Chambal is lensed, and a series of kinetic hold-your-breath-till-they-end set-pieces (which includes Chaubey’s fondness for Mexican stand-offs), than an exploration of despairing people on the edge of the wedge.

    39

    Mar 2019
  • David

    ...speaks of a new kind of Bollywood which doesn't want to be slavish to stars or formulae. But it also speaks of a filmmaking which isn't quite as accomplished as it would like to be, or should be.

    39

    Feb 2013
  • Rann

    ...juxtaposes big media houses and large-scale monetary and moral corruption in a style that’s so patently Ram Gopal Varma that it leaves us with a dizzying sense of deja vu. Been here. Seen this.

    39

    Jan 2010
  • Raajneeti

    ...could have been the film of the year. It had the potential, and the actors, but it comes together only intermittently. This is not the Prakash Jha who has made some of the most politically resonant films in Hindi cinema.

    39

    Jun 2010
  • Golmaal 3

    ...the laugh-out-loud stretches are few and far between, mainly because we've seen these same guys doing the same things before, and also because the gags are running out of steam quicker.

    39

    Nov 2010
  • Naam Shabana

    ...leaves you with a niggling question: why create a heroine in the action hero mode, with both mind and heart, and then give her a big bro to ‘help’ her out? This results in second-guessing your biggest asset, wondering if she is a liability.

    29

    Mar 2017
  • Qaidi Band

    More realism would have made this a film we could have believed in. But we do take away the young faces with us, especially Anya Singh whose bright-eyed earnestness is wholly convincing.

    29

    Aug 2017
  • Luka Chuppi

    If you really want to kick the bigots where it hurts, you have to do it early and hard. To lament about the horrors of live-in relationships through the film, for a last-minute turnaround live-and-let-live-speech, is not enough.

    29

    Mar 2019