An archive of Hindi movie reviews and ratings from 2010 to 2020.

publication

annavetticadgoes2themovies

Highest rating for
Lowest rating for
Number of reviews
360
Average rating
42

Order by

Date

Title

Rating

  • Phobia

    Ghost flick, psychological thriller, social commentary or all the above – in the end, Phobia is what you want it to be for yourself. It is also, without question, a superbly entertaining film.

    79

    May 2016
  • Phantom

    ...is what we Indians call “timepass”. Considering the subject matter, it should have been more, but as it is, it’s what we Indians additionally call a “one-time watch”.

    49

    Aug 2015
  • Pari

    The fact that the star has chosen to produce this shockathon (she is one of the few female actors in Bollywood to turn producer) speaks volumes about the risk-taking streak she has brought to her career so far.

    59

    Mar 2018
  • Parched

    The women’s hesitant exploration of each other in forbidden areas is riveting, as is the vein of comedy in each of them. The film is only episodically engaging though. In its entirety, Parched left me thirsting for much much more.

    39

    Sep 2016
  • Padmaavat

    ...is a perfect example of a Hindi film couching its extreme prejudices in grandiloquence and tacky clichés, with those clichés embedded in resplendent frames.

    19

    Jan 2018
  • Pad Man

    For a film that is about self-sustenance among women, there is also some needless patriarchal dialoguebaazi about a mard being one who can provide raksha (protection) to the women in his life. That said, there is so much in Padman that is enjoyable and meaningful.

    49

    Feb 2018
  • One By Two

    I've no doubt there are many great existential profundities that writer-director Devika Bhagat believes she’s addressing with this film. As the teenagers I know would say: it’s deep. Very deep, indeed. So deep that I drowned in a sea of boredom and just managed to escape.

    09

    Jan 2014
  • Omerta

    Besides, Omerta’s pace is so unrelenting and Rao’s acting so immersive that it is impossible to turn away from the screen for a single moment of the film’s compact 97 minutes and 37 seconds. To call it gripping might be an understatement.

    69

    May 2018
  • Ok Jaanu

    ... is interesting at first, but as it rolls along it reveals its hollowness, a failing that even the lead couple’s charms and the attractive production design cannot overcome.

    39

    Jan 2017
  • Newton

    It is not often that an Indian filmmaker takes to comedy in a setting this dismal – Masurkar and his co-writer do, without being condescending or trivialising the almost depressing circumstances it chronicles in lands far beyond the India most of us are exposed to.

    79

    Sep 2017
  • Neerja

    For a filmmaker to stir up such a high degree of emotion while making no obvious attempt to manipulate us is an amazing achievement. Neerja is outstanding.

    79

    Feb 2016
  • Nanu Ki Jaanu

    It is scary in a few parts and funny in more, which is why it is so sad that in the overall assessment and especially in its finale, it turns out to be such a loosely handled, low-IQ mess.

    19

    Apr 2018
  • Naam Shabana

    And next time you wish to make a prequel to a hit, again, please do so because you have a substantial story to tell, not because you want to cash in on a successful brand.

    29

    Apr 2017
  • Mubarakan

    ...despite the considerable dip in pace in the second half, Bazmee has delivered to a great extent with Mubarakan. The film does not strain the viewer’s intellect too much yet does not demand that we – to quote a reviewer cliché – “leave our brains at home”.

    44

    Aug 2017
  • MSG

    ROFLMAOBTPWBBTFIFFWTYCPHI (rolling on the floor laughing my ass off because the promos were bad but the film is far far worse than you could possibly have imagined). Hehehe hehehe hehehehehehehehehehehe.

    00

    Feb 2015
  • Mom

    The emotional pull of the first half and Sridevi’s acting excellence notwithstanding, Mom in many ways is as dangerous as the loud, raucous, not-even-pretending-to-be-progressive-about-women commercial Bollywood of the 1970s and ’80s.

    44

    Jul 2017