An archive of Hindi movie reviews and ratings from 2010 to 2020.

publication

annavetticadgoes2themovies

Highest rating for
Lowest rating for
Number of reviews
360
Average rating
42

Order by

Date

Title

Rating

  • Titli

    ...is one of the most gripping Hindi films to come to theatres this year. It is entertaining in a hard-to-explain sort of way because it is so heart-stoppingly matter of fact about the horrific, sad, almost bizarre reality check it delivers.

    69

    Oct 2015
  • Jazbaa

    All the megawatt casting, stylish camerawork and blue-gray tints in the world cannot alter the fact that when it comes down to brass tacks and a scrutiny of the climax, Jazbaa is a hollow film.

    39

    Oct 2015
  • Phantom

    ...is what we Indians call “timepass”. Considering the subject matter, it should have been more, but as it is, it’s what we Indians additionally call a “one-time watch”.

    49

    Aug 2015
  • Drishyam

    What makes this Drishyam (even) more interesting than the original though, is the tweaking – both in the casting and writing – of its women and the central man-woman relationship.

    79

    Aug 2015
  • Masaan

    There can be no greater measure of the effectiveness of a film than that the dreams of its characters become ours, their heartbreaks become our heartbreaks, their joys our very own. That is the kind of film sweet little Masaan is.

    69

    Jul 2015
  • Miss Tanakpur Haazir Ho

    ...could have sparked off a discussion on the subject, but in its confusion about the tone it should take and in the absence of a commitment to the cause it seems to be espousing, it ends up being a lukewarm film.

    19

    Jun 2015
  • Dil Dhadakne Do

    ...is not flawless, but barring that nutty ending, I had a rollicking good time watching it because it is funny, believable and sweet, the cast is lovely and most of all, because now that I’ve seen it, I’ve fallen in love with both Ranveer Singh and Anil Kapoor.

    69

    Jun 2015
  • Court

    It’s the simplest of films, yet unimaginably complex. It’s straightforward yet marvelously thoughtful. In its understatement lies melodrama. In its refusal to dress itself up lies its richness.

    79

    Apr 2015