An archive of Hindi movie reviews and ratings from 2010 to 2020.

publication

Mint

Highest rating for
Lowest rating for
Number of reviews
410
Average rating
42

Order by

Date

Title

Rating

  • Talvar

    By turns witty and thoughtful, devastating and emotional, it’s up there with Masaan and Dum Laga Ke Haisha and the one or two other stirringly well-written films of the year.

    69

    Oct 2015
  • Gunday

    It’s formula food for the present day, spiced with flamboyance, a fair sense of rhythm that occasionally slackens during the 153-minute running time, and a clear understanding of the meaning of popular entertainment, Hindi movie style.

    59

    Feb 2014
  • Fan

    It’s been a while since Khan did anything that involved the turning on of one personality, let alone two. Fan is a welcome correction.

    59

    Apr 2016
  • Aiyyaa

    ...is triumphant because its originality matches the director’s assured film-making. Kundalkar is a director with a confident, uninhibited stamp.

    59

    Oct 2012
  • Neerja

    Kapoor, in a break from her usual achingly hip persona, presents Bhanot as a believable mixture of quick thinking and barely suppressed panic.

    59

    Feb 2016
  • Aligarh

    ...an even bigger victory for the film might lie in getting vaguely homophobic viewers to empathize with Siras, to understand his distaste for easy labels, to admit that even they sit in the dark with a drink and listen to old Hindi film songs.

    59

    Feb 2016
  • Mukkabaaz

    ...is a bracing start to the movie year—overstuffed, enjoyable and urgent. It doesn’t have big stars, but feels like a commercial movie in a way that Bombay Velvet didn’t.

    59

    Jan 2018
  • Karwaan

    Irrfan precisely spits out the acerbic dialogue written by Hussain Dalal. He’s a delight, whether in the foreground or background – wooing a veiled woman in a hospital ward or cajoling an ageing musician. Thanks to these two talents, Karwaan manages to navigate the pot-holed script.

    59

    Aug 2018
  • Pagglait

    Writer-director Umesh Bist takes this setting and the idea of second chances, rebirth and subverts the notion of the mourning woman incapable of taking charge of her future.

    59

    Mar 2021
  • The Sky Is Pink

    ...errs on the side of caution, keeping the impending tragedy in view at all times, but wrapping everything in good vibes and the kind of courage you have no option but to admire.

    59

    Oct 2019
  • Raanjhanaa

    ...the lead performance shines, the writing complementing it. Rahman’s music set to the tragicomic beats of this man’s life makes Raanjhanaa a film to watch.

    59

    Jun 2013