An archive of Hindi movie reviews and ratings from 2010 to 2020.

publication

Mint

Highest rating for
Lowest rating for
Number of reviews
410
Average rating
42

Order by

Date

Title

Rating

  • Super 30

    ...is on track as long as it steadily plugs away at the real life story of a teacher in Bihar who coaches underprivileged children for the IIT-JEE examination. But when the film starts to doubt whether this is enough, it comes undone.

    49

    Jul 2019
  • Bala

    The central quandary is that Bala would have seemed skewed and farcical with only male baldness to concentrate on. It needs the skin colour scenes – but it really didn’t need the blackface.

    49

    Nov 2019
  • Bombay Velvet

    ...is frustrating and exhilarating in equal measure. Though his ambition is plain to see, I prefer the Kashyap who delivers the shock of the new rather than the glamour of old.

    49

    May 2015
  • Stree

    ...an amiable comedy with a couple of good ideas, too many jump scares and the most confusing ending I’ve seen in a long time.

    49

    Aug 2018
  • Khiladi 786

    The anything-goes movie is packed with so many random characters and even more random jokes that moments of inspired humour emerge out of the hodgepodge.

    49

    Dec 2012
  • Shorts

    Despite the realism, grittiness and seriousness on display, four of the five stories aim for poignant and uplifting conclusions that undermine their impact.

    49

    Jul 2013
  • Mom

    ...is a strange brew: audience-appeasing thriller, relationship drama and social commentary all rolled into one. To Udyawar’s credit, he manages to make it look cohesive, even as he struggles to contend with the moral quagmire of revenge and opts instead for the escape of pulp.

    49

    Jul 2017
  • TE3N

    ...keeps the surprises, not all of which are easy to predict, coming at regular intervals. Whether all these twists make sense, or are entirely fair, is another matter.

    49

    Jun 2016
  • Jagga Jasoos

    The singing stratagem occasionally gets in its own way, with dramatic scenes rendered silly by characters breaking into song. There’s also the baffling decision to cast, opposite Bollywood’s nimblest male star, the slow-reacting, risk-averse Kaif.

    49

    Jul 2017
  • Raees

    ...because Khan holds so much in reserve, Raees remains a cipher. To borrow an old theatrical aphorism, he plays the king as if afraid someone else might play the ace.

    49

    Jan 2017
  • Baadshaho

    ...may not be a smart film, but it’s a reasonably savvy daft one, inventive enough to revisit a key event from multiple perspectives and silly enough to have Mishra pick a safe in horse blinkers.

    49

    Sep 2017
  • Soorma

    Writers Shaad Ali, Suyash Trivedi and Siva Ananth gently follow a linear narrative to recount Singh’s story but the screenplay feels rather lazy and the drama of Singh’s inspirational story is barely felt.

    49

    Jul 2018
  • Thappad

    There are times you wish Sinha could take some of the weight off his writing with inventive filmmaking. But he isn’t a visual director, and the 142-minute Thappad mostly has the look and rhythms of a stage play.

    49

    Feb 2020
  • Aurangzeb

    This is a movie that aspires to be about the mini-empires that exist within-and often work against-the Indian republic, but it scuttles its own ambitions midway through.

    49

    May 2013
  • Kuku Mathur Ki Jhand Ho Gayi

    ...has many rough edges, patches of amateurish staging and acting, misguided attempts at humour, and an ear-splitting and disposable Amar Mohile background score, but it is also good-natured, warm-hearted, and finely observed.

    49

    May 2014
  • Ajji

    ...is one of the most unsettling experiences you’ll have at the movies this year. Whether it adds up to much more than exploitation-art is another question.

    49

    Nov 2017
  • Daddy

    It feels like an extension of the idea of the Mumbai gangster as family man that Bheeku Mhatre introduced some 20 years ago, just as Daddy seems to build on the legacy of Satya while pushing the Indian gangster film into darker, more ambiguous territory.

    49

    Sep 2017
  • Dhadak

    By replicating the narrative but tossing in caste almost as an afterthought, Dhadak shows the limitations of mainstream Hindi cinema.

    49

    Jul 2018
  • Ishkq In Paris

    If the movie works at all, it is because Prem Raj restricts the lopsided affair to 96 minutes, and Zinta’s joy at being the cynosure of attention is undeniably contagious.

    39

    May 2013