An archive of Hindi movie reviews and ratings from 2010 to 2020.

publication

Mint

Highest rating for
Lowest rating for
Number of reviews
410
Average rating
42

Order by

Date

Title

Rating

  • Hindi Medium

    ...is obviously playing to the gallery. It makes you laugh, it makes you think, but its one-note characters and black-and-white divisions mean that while it makes the grade, the film is no topper.

    39

    May 2017
  • Toilet

    Instead of sticking to social satire, Toilet: Ek Prem Katha takes on the mantle of an extended propaganda film—it’s just as tiresome, but with better production values and performances.

    39

    Aug 2017
  • Omerta

    Mehta’s frequent juggling of timeline and location means the jag and jump of the filmic technique matches the fragmented nature of the narrative. The chaos is needed, for though there’s some shock in Omerta, there’s little surprise.

    39

    May 2018
  • Chakravyuh

    ...has a sense of authenticity in its location and milieu, but Jha’s simplifications and reliance on melodrama fail to underscore them. His tone is serious and sombre-not a fortuitous combination-forcing its narrative upon its viewer.

    39

    Oct 2012
  • Roy

    Singh’s un-Bollywood storytelling (long pauses, silences and thoughtfulness), colour palette and controlled drama are refreshing, but the pace is sluggish and the plot too thin to carry a two-and-a-half-hour film.

    39

    Feb 2015
  • Freaky Ali

    He (director Sohail Khan) squanders the dramatic potential of the plot and ends up with a puerile comedy involving dons, puns and women as eye candy.

    39

    Sep 2016
  • Shuddh Desi Romance

    The big disappointment of Shuddh Desi Romance is writer Jaideep Sahni. Known for scripts and screenplays that retain efficacy of storytelling with commercially viable Bollywood elements, here is non-committal to making his characters fleshy or believable. The director and actors don’t rescue the fragile boat.

    39

    Sep 2013
  • Padmaavat

    ...the Karni Sena has unwittingly been protesting a wet dream of Rajput pride. Pride beyond logic, pride in defeat, in suicide, in abetting suicide.

    39

    Jan 2018
  • 2.0

    A film that pivots around technology and artificial intelligence should have laid as much emphasis on artificial (special effects, computer graphics, robots) as intelligence. But writer-director Shankar’s focus is largely on visually wow-ing the audience.

    39

    Dec 2018
  • Befikre

    For a film about relationships, there’s little insight offered into why we behave the way we do in love and lust, just a reiteration of that old chestnut: former lovers can’t be friends.

    39

    Dec 2016
  • Gold

    The story itself is a nice idea, but that extra beat, that crucial unwillingness to trust the viewer, reveals the film’s insecurities.

    39

    Aug 2018