An archive of Hindi movie reviews and ratings from 2010 to 2020.

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Highest rating for
Number of reviews
390
Average rating
41

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Date

Title

Rating

  • Jolly LLB 2

    Despite its liberal and humanist values and attempts to create a convincing portrait of the workings of the Indian legal system, Jolly LLB 2 is frequently guilty of dramatic overreach.

    49

    Feb 2017
  • Chhichhore

    The movie begins as a rambunctious college campus comedy, quickly moves into the sentimental family drama zone, returns for the fun and games, shifts back into tear-jerking territory, and finally runs out of breath with only some of its ambitions realised.

    49

    Sep 2019
  • 2.0

    In 2.0, Shankar’s ability to marry visual effects with populist melodrama serves him well in some of the sequences, even though the larger message is confused and the screenplay is too sluggish for an action spectacle.

    49

    Nov 2018
  • Bala

    ...extends its leading man’s predicament in more interesting ways, and is an altogether more humorous and layered examination of a widespread problem than Ujda Chaman. And yet, every time Latika appears on the screen, a shred of legitimacy falls to the floor, just like one of the many strands leaving Bala’s scalp at an alarming rate.

    49

    Nov 2019
  • Section 375

    In the interests of free expression, then, it is necessary to hear the support for patriarchy laid out by Section 375 – just as it is possible, in a democracy, to decide for yourself whether the movie is an effective legal drama or a bilious defence of deeply entrenched sexism in Bollywood.

    49

    Sep 2019
  • Padmaavat

    Although Padmaavat lacks the leap of imagination that is required to make the centuries-old story relevant for contemporary times, the movie coheres better than some of Bhansali’s previous efforts.

    49

    Jan 2018
  • De De Pyaar De

    The movie barely works as an age-gap saga but is more effective as a comedy about moving on and finding new soulmates. Ranjan and Jain heavily pad up material that is just about enough for an extended sitcom episode with songs, uneven comedy and needless melodrama. Ironically for a film directed by an editor, the pacing is sluggish.

    49

    May 2019
  • Phantom

    The plodding pace, choppy editing and amateurish exposition are relieved by slick action sequences, suitably dressed-up foreign locations and convincing production design.

    49

    Aug 2015
  • Sultan

    Sustained by the leading man’s magnetic pull, nicely cast supporting actors, a welcome lack of melodrama, and a setting that looks less plastic than the average A-list movie, Sultan is the apogee of the Salman Khan cult.

    49

    Jul 2016
  • Lipstick Under My Burkha

    The sexual politics isn’t always on target, but the emphasis on sexual freedom is. The script wobbles as the four tracks evolve and get far too complicated to be smoothly straightened out, but it is at its entertaining best when the women get all hot and heavy.

    49

    Jul 2017
  • Junglee

    The scenes between Jammwal and elephants of various sizes are the best thing about Junglee, after its plea to halt the poaching of the gentle giants.

    49

    Mar 2019
  • Dream Girl

    The movie’s aims include supplying a joke every minute, which it often does, and delivering a comic take on urban loneliness, which it doesn’t quite do.

    49

    Sep 2019
  • Shikara

    The epistolary device is one of the clumsy ways in which the movie deals with a knotty issue. Chopra, who has written the screenplay with Rahul Pandita and Abhijat Joshi, picks a narrow-angle lens through which to view the Kashmiri struggle.

    49

    Feb 2020
  • Karwaan

    The 120-minute featherweight comedy is so content to embrace the big cliches associated with the road movie genre that it is almost possible to go along with the easygoing vibe and forget that there are larger questions at stake about the generation gap, lost dreams, and mortality itself.

    49

    Aug 2018
  • Halkaa

    Halkaa’s good intentions are never in doubt, nor are the efforts of the filmmaking team in illuminating a dark reality of Indian cities. But far greater subtlety, and a more realistic assessment of the problems faced by slum dwellers in building toilets, were needed to have made Pichku’s mission credible.

    49

    Sep 2018
  • Total Dhamaal

    When you throw so much at the screen, something is bound to stick. The screenplay, by Paritosh Painter, Ved Prakash and Bunty Rathore, has enough visual gags and punchlines to distract from the severely tacky visual effects and overwhelming familiarity of such movies.

    49

    Feb 2019