Rohit Vats

Highest rating for
Lowest rating for
Number of reviews
Average rating

Order by



  • Beyond The Clouds

    Despite excellent symbols and good performances in patches, Beyond The Clouds remains something we have seen and had expected. The uniqueness of the film hardly crosses the crowded bylanes. Majid Majidi’s foreign eyes see what all of them see.

    Apr 2018
  • Hate Story IV all about actors thinking real loud in their heads and then cat-walking in slow motion towards the camera. And when they’re not doing it, they are either spiking drinks or ogling creepily at women.

    Mar 2018
  • Padmaavat sparkling, extravagant, dazzling, magnificent and wonderful. It’s a feast for the eyes. It leaves you craving for something more meaningful than a mere re-telling of Jayasi’s poem.

    Jan 2018
  • Mukkabaaz the best film in last one year or so, and this year couldn’t start on a better note. Let’s cherish Vineet Singh and his thickheaded brawler with open heart.

    Jan 2018
  • Julie 2

    In between bizarre and shocking, Raai Laxmi keeps gyrating in body-hugging suits and shiny bikinis. She also dances on a song titled ‘Malasina (or Mala Sinha!) Dikhayegi Filmy Dance’. She oohs and aahs, even unhooks her bra twice or thrice, to make it work, but all in vain.

    Nov 2017
  • Ajji

    The mood is right, the tone is right, the pace is right. The film doesn’t delve in the grey zone. There are two sides and you need to pick one.

    Nov 2017
  • Ittefaq

    ...tries its best to create intrigue, and doesn’t give the audience a lot of time to think twice about a single event. That is its biggest achievement.

    Nov 2017
  • Baadshaho

    ...has too many ordinarily written characters jostling for whistle-worthy one-liners for 136-minutes. Eventually they run short of the steam and Baadshaho becomes a rehashed ‘90s story with some gloss and a lot of disappointment.

    Sep 2017
  • Babumoshai Bandookbaaz

    ...appears superficial because it fails to explore characters and their idiosyncrasies. It states everything about them in a matter of fact tone which eventually slacken the audience’s connect with them.

    Aug 2017
  • Indu Sarkar

    While the film was publicised as a film “on Emergency”, it actually oscillates between a political drama and a typical Bollywood film about a couple. Unfortunately, the transition between the two narratives is neither smooth nor convincing.

    Jul 2017
Page 1 of 712345>>