publication

The Hindu

Highest rating for
Lowest rating for
Number of reviews
441
Average rating
39

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Title

Rating

  • Tumbbad

    As the film progresses the explanatory begins to replace the enigmatic while you long for the shadowy, invisible demons of the mind lurking in the moody frames at the start of the film.

    Oct 2018
  • Sui Dhaaga

    Sharat Katariya’s brushstrokes in 'Sui Dhaaga' may have got much more broad than in his previous outing but you still end up caring for his characters

    Sep 2018
  • Pataakha

    ...has everything that makes it a perfect fit in Vishal Bhardwaj’s oeuvre: literary adaptation, feisty women, rustic hinterland, unapologetic use of dialect and free-flowing gaalis. Yet, the film doesn’t feel contrived or formulaic.

    Sep 2018
  • Love Sonia

    Granted that it is based on true events and the filmmaker can plead allegiance to reality, but what is the purpose of a film on human suffering that limits itself to a series of headline-grabbing incidents?

    Sep 2018
  • Paltan

    J.P. Dutta’s brand of war films has a set recipe: take a stale base of background stories, layer it with some moments of valour, sprinkle some sappy songs and toss it all up with a healthy serving of heavy-duty dialogues.

    Sep 2018
  • Gali Guleiyan

    The film is a fine study of deteriorating places, people, relationships, families, neighbourhoods, communities and human minds with the one aerial shot at the end capturing it all economically.

    Sep 2018
  • Stree

    Between scares, laughs and trying to be feminist, the film does tend to get unwieldy and spreads itself too thin. The three elements play out inconsistently. But on the good side, as in some of the recent Bollywood films, Stree has a quaint sense of place, eccentric characters, a few madcap sequences and some sharply written, consciously irreverent lines to keep one engaged.

    Aug 2018
  • Happy Phirr Bhag Jayegi

    If you have a taste for such supreme silliness (honest confession, at times my balmy head certainly does) then you’ll be be smiling, if not laughing out loud. The problem is the lack of consistency, with the sharp lines and quick wit often lapsing into the puerile.

    Aug 2018
  • Satyameva Jayate

    Director Milap Zaveri dishes out the same old vigilante justice cinema that we grew up watching in the 80s with a special doff of the hat to the classic Deewar (1975). But his added tadkas can’t hide the essential staleness of the concoction.

    Aug 2018
  • Gold

    ...Akshay Kumar is insisting on being the Neo Mr Bharat, film after film, that is now beginning to bore and grate. Someone please rescue him from being the inspirational conscience keeper of contemporary shining India and take him back to entertainment, entertainment, entertainment.

    Aug 2018
  • Vishwaroop II

    Add that to particularly tacky production design and uninspiring visuals, you realise that it’s easy for someone to mistake the first part as the newer film. By the end of Vishwaroopam 2, we’ve seen so many bombs being planted, only for them to be defused. What’s another 100 more?

    Aug 2018
  • Fanney Khan

    Despite the presence of a heavy duty cast, the film is just not able to fly. So bogged down does it get with its predictable arc and overt sense of righteousness that it ends up flat and deadening; silly rather than scintillating.

    Aug 2018
  • Karwaan

    Even as the film makes the audience laugh uproariously it keeps them grounded in its own whimsical way with some sobering, everyday wisdom and bitter-sweet insights into loss, longing and life.

    Aug 2018
  • Mulk

    Instead of talking to the converted, director Anubhav Sinha manages to use the conventions and tools of mainstream cinema to go beyond the liberal echo chambers and try and reach out to the masses. That, in fact, could well prove to be Mulk’s biggest strength.

    Aug 2018
  • Saheb Biwi Aur Gangster 3

    The film is a thriller crafted as a drama, which dilutes its pace and rhythm. Whatever little momentum the thriller aspect of this film creates, is washed out by the lacklustre drama that constantly interjects the narrative.

    Jul 2018
  • Dhadak

    Universally, teenage love is rebellious, radical and effective because of its tenderness. That sense of fragility is missing in Dhadak’s narrative. Instead, there’s a feeling of artificiality to their romance...

    Jul 2018
  • Soorma

    After all, sports films meant to be electric and rousing. However, it’s this gentle ordinariness and Shaad Ali’s restrained approach that make Soorma appealing.

    Jul 2018
  • Sanju

    Ultimately, the film is not as much about the flaws in the hero as about him being wronged by the media which is yet a convenient villain.

    Jun 2018
  • Bhavesh Joshi Superhero

    Somewhere Motwane gets too self-aware and conscious—be it the genre of superhero cinema he is playing with or the issue of corruption itself. The point gets belaboured and the film too protracted.

    Jun 2018
  • Veere Di Wedding

    ...at a time when the gender question is in such a serious churn and feminism debate at its sharpest, Veere’s light-hearted and giddy take would seem entirely out of depth.

    Jun 2018
  • Parmanu

    ...has all the ingredients to be a propaganda film – from “desh ke liye shaheed (martyred for the nation)” dialogues to caricaturish portrayal of the enemy (American CIA and Pakistani ISI) to obscurantism and oversimplification of a complex mission.

    May 2018
  • Angrezi Mein Kehte Hain

    The subject could have been relatable to a wide Indian audience who are bound in an arranged marriage, but Mishra is neither convincingly awkward as a repentant husband nor staunchly belligerent as a patriarchal one.

    May 2018