An archive of Hindi movie reviews and ratings from 2010 to 2020.

critic

Aditya Shrikrishna

Highest rating for
Lowest rating for
Number of reviews
61
Average rating
40

Order by

Date

Title

Rating

  • Parched

    ...is a microcosm censused that throws up dark results even if what we get is a funny, light film for the most part focusing on its women, their bonding and friendship.

    59

    Sep 2016
  • Phillauri

    ...definitely deserved a better director. Scenes take too long to get to their logical end. A lot about ones like or dislike of Phillauri may depend on how much one is willing to buy into Dutt's two narratives, bad graphics notwithstanding.

    59

    Mar 2017
  • Sanju

    While the subject is starkly different, Hirani's sticks to the treatment that comes naturally to him. This is a film that is intensely Bollywood and in love with the industry, the approach is a strange concoction of melodrama, parody and comedy.

    59

    Jun 2018
  • Udta Punjab

    One of the finest things about Udta Punjab is it doesn't wish to take any form of high ground. All it does is tell the story of four people in a land where drugs are a real problem. It neither glorifies nor offers moral science lessons.

    59

    Jun 2016
  • Jugni

    ...turns out to be a well done short film padded up to be a feature. But it is still one of those unique efforts in this age of heroes because all the characters are delightfully flawed.

    59

    Jan 2016
  • Mukkabaaz

    It may appear as a sports film, a boxing film, but Mukkabaaz really is an intense relationship drama, a romance — almost a quasi-Romeo-Juliet — that will not bow down to disability or politics or caste.

    59

    Jan 2018
  • Raman Raghav 2.0

    The greatest thing that can be said about Raman Raghav 2.0 is that it is not a meaningless exercise in blood and violence. It is well thought out and has some great performances. But it also feels like it could have been fleshed out better.

    49

    Jun 2016
  • Begum Jaan

    There is nothing even Vidya Balan can do to make things interesting here when that happens. And we never get to know enough about the characters to identify with their sense of loss and longing.

    39

    Apr 2017
  • Noor

    A compelling micro story about a single character loses its essence by trying to be a macro story about Mumbai, journalism and other words thrown at you with sincerity reserved for banal platitudes.

    39

    Apr 2017