An archive of Hindi movie reviews and ratings from 2010 to 2020.

critic

Kunal Guha

Highest rating for
Lowest rating for
Number of reviews
378
Average rating
47

Order by

Date

Title

Rating

  • High Jack

    Comedies featuring potheads are either dope-fuelled adventures (Go Goa Gone) or supply chain masala khichdis (Dum Maaro Dum). This one is on the cusp of migraine and vertigo and promises to mass murder brain cells.

    29

    May 2018
  • Shorgul

    A highoctane dialogue in the film reinstates the supposed moral of the film, "Dangon mein Hindu ya Mulasmaan nahin marta, insaniyat marta hain." While this is true, watching this film till the very end can be terminal for audiences of all religions too.

    29

    Jul 2016
  • Mohalla Assi

    ...Mohalla Assi’s trivial issues and laboured execution only manage to leave you feeling sedated and groggy — its 120-minute runtime doesn’t even allow one to complete a single sleep cycle.

    29

    Nov 2018
  • Baa Baaa Black Sheep

    Apart from sky-rocketing ambitions and embarrassingly mediocre execution, what renders this one particularly insufferable is its sensibility, which tips its hat to 80s Hindi cinema.

    29

    Mar 2018
  • 72 Hours

    Director and lead Dhyani had the unique advantage of placing himself in the centre of the action and allowing the rest of the cast to fade to the background. But even then, his highlighted performance barely hits the spot and fails to interest or engage audiences with this story.

    29

    Jan 2019
  • Welcome to New York

    There are several points when one is forced to wonder the objective of making this film. Is this a front for an elaborately-constructed tax break? Is director Chakri Toleti actually a deceptive chartered accountant with breakthrough ideas? Does the said award function stand to gain or lose from this cinematic misadventure? Did Karan Johar have latent acting desires which couldn’t be accomplished in Bombay Velvet? We’ll never know.

    29

    Feb 2018
  • Shab

    Onir recently argued that he doesn't fancy himself as an indie filmmaker but a commercial one. And that his 'treatment' lends his films to be deemed otherwise. But here, he stereotypes homosexuals, sex workers and everyone in between.

    29

    Jul 2017
  • One Day

    The Equaliser-like premise offered promise, but exaggerated performances, clichéd turns and inability to flesh out the idea, eliminate any possibility of being thrilled.

    29

    Jul 2019