An archive of Hindi movie reviews and ratings from 2010 to 2020.

critic

Nandini Ramnath

Highest rating for
Lowest rating for
Number of reviews
486
Average rating
41

Order by

Date

Title

Rating

  • Haseena Parkar

    In its attempt to valourise Haseena as an innocent victim of destiny, the movie misses the opportunity to add another chapter to the ongoing saga of Dawood Ibrahim and his clan.

    29

    Sep 2017
  • Nanu Ki Jaanu

    Suspense is thin in a movie with three major characters. The staggering incompetence on display ensures that the events are neither funny nor frightening...

    29

    Apr 2018
  • Meeruthiya Gangsters

    Quadri’s writing isn’t half as sharply funny or piercingly deadpan as it thinks it is, but that’s par for the course in a movie that celebrates the virtues of taking the easy way out.

    29

    Sep 2015
  • Dear Dad

    The movie wants to say something poignant and profound about the need for sons to accept their father’s decisions, but it doesn’t have the material to do so.

    29

    May 2016
  • Satyameva Jayate

    The movie never takes itself too seriously, even as it emerges as the obverse of Hindi movies that celebrate the super-cop who breaks the rules while in uniform.

    29

    Aug 2018
  • Dabangg 3

    ...isn’t funny or even campy enough to be anything more than an aging hero’s throw of dice, hoping that third time will be as lucky as the first two.

    29

    Dec 2019
  • Shab

    ...seems to want to make a grand statement about ambition, migration, exploitation and sexuality, but its scope is limited by the stodgy dialogue, the mostly poor acting (Raveena Tandon has her moments) and incredible levels of contrivance.

    29

    Jul 2017
  • Malaal

    The movie has nothing new to say about the star-crossed romance, and is too timid to mirror the unabashed celebration of unreconstructed malehood that marked the source material.

    29

    Jul 2019
  • Game

    ...a movie has to be much more than the sum of liquor-ad lighting, sharp clothes and tourism brochure locations.

    29

    Apr 2011
  • Phamous

    struggles to justify its existence. Sequences tumble into each other with barely any coherence or sense of rhythm; the talented cast flounders at the best of times.

    29

    Jun 2018
  • Holiday

    Holiday’s slickness and the adroit use of actual locations in Mumbai can’t prevent slippages into ludicrousness.

    29

    Jun 2014
  • Main Tera Hero

    Varun’s youth and verve are never in doubt, but he labours under the shadow of the great Govinda, who enlivened several Dhawan productions with his ability to land a joke at just the right moment and convey the essential insanity of the enterprise.

    29

    Apr 2014
  • Fukrey Returns

    Theoretically, a sequel offers up the opportunity to fix the flaws of part one and strengthen the story. In reality, this is unlikely to happen when your source material was unworthy of a follow up.

    29

    Dec 2017
  • Race 3

    The unpardonably long movie (160 minutes) has been directed by choreographer-turned-director Remo, who appears to have been too much in awe of his leading man to have actually given him any basic instructions on the sets. The dialogue strains to be funny, and provokes humour in the wrong places.

    29

    Jun 2018
  • Mirzya

    Despite the limp leads, the conceit might have passed muster with a linear story set entirely in the present. Mirzya is doomed by its inability to free itself from the weight of the original legend.

    29

    Oct 2016
  • Besharam

    It works to the extent that Kapoor is a star in the popular Hindi cinema mould and can command attention in the dreariest of moments, but even screen gods can’t convert water into wine.

    29

    Oct 2013
  • Shorgul

    ...the filmmakers’ love for contrivance, simplification and populist rhetoric combine to make Shorgul yet another misfired investigation of the true nature of communal conflagrations in India.

    29

    Jul 2016