An archive of Hindi movie reviews and ratings from 2010 to 2020.

critic

Rahul Desai

Highest rating for
Lowest rating for
Number of reviews
127
Average rating
41

Order by

Date

Title

Rating

  • Gabbar Is Back

    ...by the time the same plot is passed through four commercial factory machines, nothing is decipherable. Gabbar is the end of it hopefully, with nothing left to squeeze out.

    29

    May 2015
  • Dishkiyaoon

    ...confounds on a very basic technical level. Baweja sincerely tries, but is undone by scrambled writing that relies more on colorcoding than action or entertainment.

    29

    Mar 2014
  • Creature

    Over the years, technicalities in Bhatt's films have evolved-but the incompetent writing continues to blur the lines between horror and (unintentional) comedy.

    29

    Sep 2014
  • Total Siyapaa

    ...definitely lives up to its title, but not in a good way. This is a bad kind of chaos-the sort Joker creates in Gotham-despite a cast oozing with potential.

    29

    Mar 2014
  • 6-5=2

    The first rule is that these films should be scary and the actors, naturalistic. Their deaths should invoke horror, not glee and relief that they're finally being bumped off.

    29

    Nov 2014
  • Hey Bro

    ...what we get is Andaaz Apna Apna sidekicks, leopard-printed heels, ping-pong sound effects, classic dialogues 'remixed' as rap songs, and skimpy numbers that rhyme 'rude' with 'dude' and 'mood'.

    29

    Mar 2015
  • Life Is Beautiful

    The plot, though unoriginal about an Indian man trying to procure Canadian citizenship by entering into a marriage of convenience is the only aspect that remotely makes sense.

    19

    Aug 2014
  • Ishq Ke Parindey

    Our filmmakers have milked the cross-border eternal romance angle dry. It's hard to tell if it's Indo-Pak tension that provides fodder for these done-to-death stories, or the stories that actually create tension between the nations.

    19

    Apr 2015
  • Koyelaanchal

    Commercialism, greed, murder, chaos, brutality, self-indulgence...the filmmakers are guilty of all these traits. Here is why Koyelaanchal ranks as one of my most difficult viewing experiences:

    19

    May 2014
  • Ya Rab

    What is the lesser evil - A dishonest film made with technical fluency, or a socially relevant film with schoolboy technique?

    19

    Feb 2014
  • Super Nani

    Mr Kumar has created a world that will instantly take you back to the regressive ways of the 18th century-the kind of attitude you battled to break norms and set the stage.

    19

    Nov 2014