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Dil Toh Baccha Hai Ji
The story is stilted, the dialogue is cringe worthy and the humour is listless.
Jan 2011
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Dhobi Ghat
...it's a moody painting that will entice you to linger and stare and stay with you forever. Either ways it's made of the stuff that makes life what it is. Down to the last intriguing detail.
Jan 2011
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Dabangg
...rides totally on Salman Khan's magic.Had director Abhinav Kashyap cast a less popular actor, it’s doubtful the film would have the chutzpah that Khan has lent to it.
Sep 2010
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Chase
...once you are about five minutes into the film all you want to do is think fast and run faster. Right out of the preview hall.
Apr 2010
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Chance Pe Dance
...operates on the premise that stories about strugglers who slum it in Mumbai are interesting and identifiable. Unfortunately that isn’t to be.
Jan 2010
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Chalo Dilli
...an okey dokey attempt. With occasional flashes of decent writing and storytelling. But that's about it.
Apr 2011
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Break Ke Baad
...possibly the best love story we have seen all this year and maybe last year too.
Nov 2010
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Band Baaja Baaraat
Rarely do you find a love story that is so full of life and bouncing off the walls. Band Baaja Baarat is one of the freshest cleverly written films in recent times.
Dec 2010
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Badmaash Company
Your money’s worth guaranteed. It’s fun, zippy and racy and only occasionally takes itself too seriously.
May 2010
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Nov 2010
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Aug 2010
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Aashayein
What an awful pity. When you see a film cough splutter and gasp its way to a slow painful death right in front of your eyes.
Aug 2010
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Aug 2011
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7 Khoon Maaf
...where the film could have been deliciously dark, mad and off the rails, it ends up being just a disappointing above average weekend watch. Our hopes for a masterpiece of a film have just been done to death. Pity.
Feb 2011
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404
...is definitely worth watching. Prawal Raman has a steady and non compromising hold over suspense. And there is enough for you to work out bit by bit, long after you have left the movie hall.
May 2011
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3 Idiots
The genius of 3 Idiots ultimately lies in its total lack of emotional manipulation in order to engage the audience.
Dec 2009