An archive of Hindi movie reviews and ratings from 2010 to 2020.

critic

Sukanya Verma

Highest rating for
Lowest rating for
Number of reviews
289
Average rating
47

Order by

Date

Title

Rating

  • Mere Brother Ki Dulhan

    ...a pretty ordinary effort. It's the kind of movie where everyone looks catalogue cool and beams with enthusiasm to make the going-ons appear droll and exciting.

    49

    Sep 2011
  • Marjaavaan

    Nothing can salvage the Marjaavaan mess -- not religious symbols tattooed on Malhotra's knuckles, the two-and-a-half hours of hysterically hamming people, the boisterous background score, the stale imagination, the burly giants, the phony rain, the cheap blood, the microwave romance, the laboured hostility, the incessant babbling on mohabbat and ibadat, not Arjit Singh yowling in a loop.

    19

    Nov 2019
  • Mardaani 2

    Between spoon feeding motives and relying on too many contrivances to provide Sunny an easy escape, Mardaani 2 loses on nuance.

    49

    Dec 2019
  • Mardaani

    If only the script weighed more in intensity of thoughts than stagy heroics and simplistic resolutions, it could do a lot more for women in the film industry if not society in general.

    49

    Aug 2014
  • Manmarziyaan

    ...explores the depths of Anurag Kashyap's versatility. And the indulgence he is often accused of shows up only towards the end to provide answers of what should have ended at a request.

    79

    Sep 2018
  • Manjhi

    ...is watchable purely because of this actor’s grasp of a willful, persevering personality recognised by his passion not poverty. It’s a distinction Nawaz duly delivers, if not the film.

    49

    Aug 2015
  • Manikarnika

    A historical with an identity crisis, initially the period drama cannot decide whether it wants to chronicle facts or fictionalise them in the tradition of a crowd-pleasing fantasy. After some uncertainty, it settles for the second.

    49

    Jan 2019
  • Malang

    Here's a witless thriller so far removed from reality yet so consumed by its own self-seriousness, no amount of slick photography (Vikas Sivaraman), soaring soundtrack (Mithoon, Ved Sharma) or steady supply of conspiracy (Aseem Arrora) can salvage its tepid material.

    29

    Feb 2020
  • Mahabharat

    But dumbing down Mahabharat’s provocative and serious framework for a film that cannot even provide visual enchantment fails to fulfill it purpose even to its young audience.

    39

    Dec 2013
  • Madras Cafe

    After experiencing back-to-back idiocy on big screen, it’s refreshing to return to the theatres for a film that expects you to be educated, informed and attentive. Give it a chance, Madras Cafe deserves an audience.

    69

    Aug 2013
  • Made In China

    Alternating between pedestrian comedy and overwrought drama, Made in China's biggest problem is its inclination to repeatedly digress, resulting in fleeting interest in its helter-skelter proceedings.

    39

    Oct 2019
  • Maatr

    ...would like to believe its relevance comes from true events that headline news channels regularly, but its typically Bollywood tropes to attain justice modelled on the likes of Aakhri Raasta and Mohra is not half as engaging.

    39

    Apr 2017
  • Luka Chuppi

    Between not taking itself seriously and spewing gyaan over how to win youth votes, Luka Chuppi cannot decide what it wants to hide and where it needs to look.

    39

    Mar 2019
  • Lucknow Central

    Writer Aseem Arora's low-hanging ambitions and straightforward conflict between negotiators of harm and reform renders Lucknow Central a surprising watchability.

    49

    Sep 2017
  • LoveYatri

    The whole point of this idiotic movie hinges on whether Aayush Sharma who wants to act can act. Unless a singular dazed expression qualifies as talent, not by a long shot.

    19

    Oct 2018
  • Love Aaj Kal

    A poorly conceived reboot that's overlong, overdramatic and overdone, Love Aaj Kal simply cannot differentiate between pyaar and parody.

    29

    Feb 2020
  • Listen... Amaya

    Its real strength doesn’t come from production values but two of the most natural actors of Hindi cinema (Farookh Shaikh, Deepti Naval) and a remarkable young woman (Swara Bhaskar).

    59

    Feb 2013
  • Lamhaa

    Lamhaa's relevance lies in its ability to give you an overview, even if it's a crammed one, about the ugliness of greed and intolerance through the example of Kashmir. At the same time it's honest and practical enough to end on an unfulfilled, hopeless note.

    69

    Jul 2010
  • Lahore

    Though limited in its story-telling and undistinguished in execution, Lahore redeems itself somewhat by intently playing on the paradox of pacifist intentions realised in the face of a seriously hostile sport.

    49

    Mar 2010
  • Lafangey Parindey

    ...like its attention-grabbing title, is unapologetically superficial with a brief attention span. It doesn't dwell too long on the possible complications or questions that may arise in its protagonist's lives and conveniently wiggles out of/wraps up any uneasy development.

    49

    Aug 2010
  • Kya Dilli Kya Lahore

    The idea behind Kya Dilli Kya Lahore is to once again point out the futility of war as well as highlight why human comes before being. And Vijay Raaz accomplishes that to a reasonable extent in his first filmmaking effort.

    59

    May 2014
  • Krrish 3

    It’s not original. It’s not subtle. What Krrish 3 is is astonishingly eager to entertain with its stock of doodads that should amuse if not endear.

    59

    Nov 2013
  • Ki & Ka

    This is a recurring problem in Balki’s filmmaking. Certainly, he comes up with the most unique ideas, infuses them with a whimsical energy but in his eagerness to impress, he loses all subtlety.

    49

    Apr 2016
  • Khatta Meetha

    ...projects itself as a witty satire with reference to someone as reputed as Laxman but its uneven mood shift from ironical to intense augmented by cheesy dialogues like 'Keechad mein baithe suwar ki tarah sust kyon ho?' begs you not to be taken seriously.

    39

    Jul 2010