An archive of Hindi movie reviews and ratings from 2010 to 2020.

publication

annavetticadgoes2themovies

Highest rating for
Lowest rating for
Number of reviews
360
Average rating
42

Order by

Date

Title

Rating

  • Phobia

    Ghost flick, psychological thriller, social commentary or all the above – in the end, Phobia is what you want it to be for yourself. It is also, without question, a superbly entertaining film.

    79

    May 2016
  • Veerappan

    In certain aspects of storytelling then, this is a film that cannot be ignored. It is however hard to get past the poor acting by Joshi and Ray and that overly loud background score.

    44

    May 2016
  • Sarbjit

    The true story of Sarabjit Singh Atwal is a tragedy of gargantuan proportions that is enough to move a rock to tears. Yet director Omung Kumar somehow manages to make a curiously unmoving film out of this inherently heartbreaking story.

    39

    May 2016
  • Azhar

    ...is a superficial look at the life of one of the most enigmatic and intriguing sporting stars this country has ever seen. It is an opportunity lost.

    39

    May 2016
  • Traffic

    Drama is intrinsic to these situations and to the larger, multi-cultural Indian reality, without the crutch of high-decibel songs or explicit moralising. If Team Traffic had understood that, this could have been a great film. As things stand, it is an uneven, unsatisfying ride.

    49

    May 2016
  • Fan

    ...is far from being perfect, it urges us to think about issues relating to stardom, fandom, idolatry and public expectations from famous people without overtly appearing to do so.

    59

    Apr 2016
  • Tere Bin Laden Dead Or Alive

    ...is not crude or distasteful in the manner of low-brow comedies we have seen emerging from Bollywood in the past. It is just proof – since so many people seem to need proof – that comedy is one of the hardest things to achieve in the arts.

    39

    Feb 2016
  • Aligarh

    Despite a sterling performance by Manoj Bajpayee and other positives, Aligarh ends up being an inconsistent biopic – on the one hand providing a beautiful portrait of reclusiveness, yet elsewhere doing a disservice to a man to whom this country owes an apology.

    49

    Feb 2016
  • Neerja

    For a filmmaker to stir up such a high degree of emotion while making no obvious attempt to manipulate us is an amazing achievement. Neerja is outstanding.

    79

    Feb 2016
  • Fitoor

    The pain, the rejection, the searing desire for revenge, the all-conquering power of love – none of it is adequately conveyed in this film which, by the time its final scene rolled around, left me as cold and detached as Estella’s heart was when she first met Pip.

    49

    Feb 2016
  • Saala Khadoos

    As with most such films, the final outcome in the ring is not hard to predict here. The journey to that moment though is emotionally engaging and, after a point, nerve-wracking enough to draw cheers of delight.

    59

    Feb 2016
  • Chalk N Duster

    It is a mark of Bollywood’s extreme gender bias that the likes of Shabana and Juhi must, more often than not, compromise on quality if they wish to play heroines. These remarkable women deserve better than this clumsy, even if well-meaning, film. So does the teaching profession.

    39

    Jan 2016
  • Wazir

    Although Wazir falls flat on its face as a thriller when you consider the question posed earlier in this review, it does work in other departments.

    49

    Jan 2016
  • Bajirao Mastani

    Despite its shortcomings then, this is a brave and beautiful film – beautiful to look at, beautiful in its position on religion, brave in its take on history, brave in its unwillingness to paint religious groups or its primary characters as black or white.

    59

    Dec 2015