An archive of Hindi movie reviews and ratings from 2010 to 2020.

publication

Mint

Highest rating for
Lowest rating for
Number of reviews
410
Average rating
42

Order by

Date

Title

Rating

  • Qaidi Band

    ...rather than leave it to the audience to discern and feel, circumstances are described and speeches delivered patronisingly. The script soon turns towards drama, a poorly planned escape and a convenient climax.

    29

    Aug 2017
  • Piku

    Instead of big set-pieces, Sircar gives us a series of small showdowns, confrontations and revelations. It isn’t the most arresting of films, but it’s never boring.

    59

    May 2015
  • Parched

    ...it is lively, bright, charged and accessible. Chatterjee, Apte and Chawla are thoroughly enjoyable, and find excellent support in Chandan K.

    59

    Sep 2016
  • Panipat

    ...does do something that Bhansali, and the other directors of recent historical films, didn’t bother with – which is to give the viewer a sense of history playing out.

    59

    Dec 2019
  • Panga

    ...the film is an empathetic look at the social cost of continuing with one’s life after marriage and children.

    59

    Jan 2020
  • Pagglait

    Writer-director Umesh Bist takes this setting and the idea of second chances, rebirth and subverts the notion of the mourning woman incapable of taking charge of her future.

    59

    Mar 2021
  • Pad Man

    ...is sanitised and sweet, and its message is not just to encourage the use of sanitary pads, but that with the right motivation, imagination and a whole lot of patience you can solve problems with ingenuity

    59

    Feb 2018
  • Padmaavat

    ...the Karni Sena has unwittingly been protesting a wet dream of Rajput pride. Pride beyond logic, pride in defeat, in suicide, in abetting suicide.

    39

    Jan 2018
  • One By Two

    ...mashes together typical rom-com ingredients with indie-style improvisation, but the result is sequences that play on for too long and moments that work in isolation but never as part of the big picture.

    19

    Jan 2014
  • Omerta

    Mehta’s frequent juggling of timeline and location means the jag and jump of the filmic technique matches the fragmented nature of the narrative. The chaos is needed, for though there’s some shock in Omerta, there’s little surprise.

    39

    May 2018
  • Om-Dar-Ba-Dar

    ...prevents easy analysis, let alone glowing reviews, but there is little doubt about its status as a rare gem from India’s arguably sparse trove of avant-garde treasures.

    59

    Jan 2014
  • Ok Jaanu

    ...is more froth than coffee— sweet and diverting, but lacking the kick of emotion.

    39

    Jan 2017
  • Neerja

    Kapoor, in a break from her usual achingly hip persona, presents Bhanot as a believable mixture of quick thinking and barely suppressed panic.

    59

    Feb 2016