An archive of Hindi movie reviews and ratings from 2010 to 2020.

publication

The Hindu

Highest rating for
Lowest rating for
Number of reviews
524
Average rating
39

Order by

Date

Title

Rating

  • Kedarnath

    A protracted climax and worn-out clichés come in the way of what could have been an interesting cinematic exploration of a social fabric in turmoil.

    39

    Dec 2018
  • Katiyabaaz

    The directors have shown patience with the subjects. They seem to have forgotten the presence of camera around them and the result is electric.

    69

    Aug 2014
  • Karwaan

    Even as the film makes the audience laugh uproariously it keeps them grounded in its own whimsical way with some sobering, everyday wisdom and bitter-sweet insights into loss, longing and life.

    59

    Aug 2018
  • Kalank

    You could say that I am being overly righteous and needlessly cautious here but the climax left me discomfited and disturbed.

    39

    Apr 2019
  • Kajarya

    There are many stories that lie hidden in the depressing newspaper headlines. The art is in giving them a compelling, emotional shape on screen. Madhureeta Anand succeeds but marginally so in Kajarya.

    39

    Dec 2015
  • Kadvi Hawa

    ...is essentially a short story on screen with a proverbial twist in the tale. Panda, however, plays it too slow for its own good — long sequences, seemingly static scenes. It gets protracted and plodding.

    39

    Nov 2017
  • Kaanchi

    The best movie Subhash Ghai has made in 15 years is Iqbal. Handing Nagesh Kukunoor the cheque as producer is probably the only thing he has got right since directing Taal in 1999.

    19

    Apr 2014
  • Kaalakaandi

    Director Akshat Verma neither gives the film any freshness and novelty, nor any depth and deliberation. Even the supposed black humour isn’t pert enough to tickle consistently.

    39

    Jan 2018
  • Kaabil

    ... in the second half, the film becomes a usual revenge saga, marginally more engaging than deathly dull, dreary and deadening first half.

    39

    Jan 2017
  • Junglee

    There is a sweet stray dog and magnificent tuskers and an unintended nostalgia unleashed for Haathi Mere Saathi. I came out raving about Kulkarni's fitness and agility and Jammwal’s voice and jawline. But that wasn’t quite the point of the film, was it?

    39

    Mar 2019
  • Jolly LLB 2

    What Jolly LLB 2 essentially shows is how the marriage of opposites—the mainstream dramatic tropes and a realistic tapestry—can be the formula to go for, for Bollywood.

    59

    Feb 2017
  • John Day

    Logic, pace and tautness are the main ingredients of a thriller and Solomon’s work disappoints on all the three counts.

    19

    Sep 2013
  • Jism - 2

    This is the kind of film many will go to watch no matter how bad we say it is simply because this is the closest they get to see an adult star take her clothes off on the big screen in India.

    19

    Aug 2012
  • Jhootha Kahin Ka

    ...Kang can’t stop the humour turning loud and crass with double entendre slipping in, specially when it comes to women. It’s not just the sexist jokes, here the women are rendered deliberately vapid and inconsequential...

    19

    Jul 2019