critic

Anna M.M. Vetticad

Highest rating for
Lowest rating for
Number of reviews
374
Average rating
42

Order by

Title

Rating

  • Malaal

    ...an inexorably dull retelling of the clichéd conviction so many people hold in real life: that a good woman can reform even the worst of men.

    Jul 2019
  • Article 15

    ...is the best that Indian cinema can be in these troubled times if it chooses to hold a mirror up to our society, compelling us to confront the worst that we are and the best that we can be when we are not busy saving our own skins. 

    Jun 2019
  • Kabir Singh

    Kabir Singh and its Telugu forebear Arjun Reddy must rank among the most disturbing examples of the obsessive stalker hero being glamourised by Indian cinema.

    Jun 2019
  • Bharat

    Far from being a Forrest Gump with Salman Khan, Bharat is mostly a plodding trek through post-1947 to contemporary India.

    Jun 2019
  • Nakkash

    In terms of narrative style, Imam swings between naturalism and an occasionally operatic tone, which suits Nakkash well. The plot is not designed as a thriller meant to dazzle us with its twists and turns. It is instead a believable slice-of-life saga in a toxic setting.

    May 2019
  • PM Narendra Modi

    ...falls into the so-bad-it-could-be-fun category, except that it is not fun at all – it is, instead, an insult to viewer intelligence and viewer knowledge.

    May 2019
  • De De Pyaar De

    ...has been marketed as an older-man-younger-woman romance, but make no mistake about this: what it truly is is a vehicle for claims of universal male victimhood, better disguised than its co-producer and co-writer Luv Ranjan's three directorial ventures

    May 2019
  • Kalank

    ...it is fronted by such a likeable cast and comes in such pretty packaging. There is nothing pretty though about the lack of nuance in its portrayal of Hindu-Muslim equations...

    Apr 2019
  • No Fathers In Kashmir

    For a fictionalised feature to shine a light on the most contentious aspects of Kashmir's tragedy - from hypocritical fundamentalists to half widows and mass graves - takes immense guts irrespective of which political party is in power at the Centre.

    Apr 2019
  • Notebook

    ...is not perfect, but like the sterling Kashmir waterscapes in the film camouflaging so much turmoil, and captured here so beautifully by cinematographer Manoj Kumar Khatoi, it too is worth a visit.

    Mar 2019
  • Kesari

    Irrespective of what the 36th Sikhs' actual motivations were, obviously theirs was a historic last stand worthy of a film. When an honest army procedural could have had an impact, the team of Kesari chose instead to be a barely disguised propaganda vehicle and to chronicle this remarkable episode with self-defeating twists.

    Mar 2019
  • Gully Boy

    For a film that is about protest music, the music of anger and rebellion, Gully Boy is surprisingly quiet and extremely funny. Its understatedness and sense of humour are among the multiple reasons why it is also one of the best films to emerge from the Hindi cinemascape in recent times.

    Feb 2019
  • Fraud Saiyaan

    Warsi’s continuing career struggles may explain why he agreed to be a part of this formulaic, dull, misogynistic rubbish, but what is worse is that Fraud Saiyaan is a Prakash Jha Productions presentation, with the senior producer-director’s daughter Disha Prakash Jha as one of its producers. Seriously Jha-saab, why?

    Feb 2019
  • Simmba

    Don’t be deceived by the apparent good intentions – women’s safety is just another excuse for Shetty’s macho hero to deliver speeches, take the law into his own hands, display his impressive biceps and single-handedly bash up groups of bad men.

    Feb 2019
  • Kedarnath

    This is the natural order of things, the way the world was meant to be: men and women falling in love without social interference, humankind co-existing with the rest of the planet without interfering with the environment in the name of development and human welfare, so that no one gets to ask, “where did you land up in our midst?” because you see, we were all “always here”. Point well made, Abhishek Kapoor.

    Dec 2018
  • 2.0

    ...the glitz and grandeur become boring after a while in the pre-interval portion as the story takes forever to take off and the SFX are beset by repetitiveness, as though a teenaged boy is trying to impress his school buddies with his brilliance.

    Nov 2018