Kedarnath
Despite the brisk storytelling and nicely braided scenes that give a vivid sense of the locations, Kedarnath never achieves the emotional peak that is a requirement of the disaster movie.
Dec 2018
2.0
In 2.0, Shankar’s ability to marry visual effects with populist melodrama serves him well in some of the sequences, even though the larger message is confused and the screenplay is too sluggish for an action spectacle.
Nov 2018
Pihu
...Vinod Kapri has delivered a bona fide suspense thriller that doubles up as a parenting lesson. Effective, yes, but also unsettling? Always.
Nov 2018
Mohalla Assi
What is supposed to be a satire about the exploitation of religious sentiment becomes a plodding dirge about a disappearing way of life.
Nov 2018
Thugs Of Hindostan
...scuttled by its ineptitude and palpable disinterest in approaching the freedom struggle with fresh eyes.
Nov 2018
Lupt
There is nothing here that is truly frightening, and not enough substance to justify the running time of 117 minutes, but at least the actors are committed to the material.
Nov 2018
Namaste England
There is barely a moment of relief from the tedium of watching the leads go through the motions and tuning into the poorly written dialogue and endlessly uninvolving moments.
Oct 2018
Helicopter Eela
The start-stop narrative, which feels jerky and disjointed, contains the ghost of a screwball comedy.
Oct 2018
FryDay
How about crafting a role for Govinda that properly capitalises on his comic talents and persuades him to shed off the anything-goes quality and tackiness of his recent films? Fryday isn’t quite a comeback for Govinda, but it will have to do for his extant fanbase.
Oct 2018
LoveYatri
...the movie exists only to give Aayush Sharma his dream debut. Salman Khan devotees might be persuaded to accept the latest boon from their screen god, but for the unfaithful – and the unforgiving – Loveyatri is a trudge from start to finish.
Oct 2018
Andhadhun
Raghavan’s talent for imagining ordinary people as proficient criminals in the right conditions and his use of locations and sharply etched characters to advance his plot is put to great use in Andhadhun.
Oct 2018
Sui Dhaaga
What eventually endures isn’t the inevitable heart-warming finale but the honesty of the writing and the performances and the subversions, minor and major.
Sep 2018
Pataakha
A crisper running length would have ensured a more explosive impact for Bhardwaj’s latest, and welcome, foray into black humour with a political subtext.
Sep 2018
- Sep 2018
Manto
Despite the best efforts of Nawazuddin Siddiqui to humanise his character, Manto’s inner workings remain elusive, emerging only in bits and pieces.
Sep 2018
Love Sonia
Despite the disjointed narrative, which leaps from one idea to another, the unconvincing plot turns, and the unending agony that awaits Sonia at every turn, the movie doesn’t waver from its focus on the inherently exploitative nature of sex work.
Sep 2018
Manmarziyaan
...Anurag Kashyap’s most emotionally resonant movie yet, injects considerable vim and wit into the most conservative and predictable of sub-genres: the love triangle.
Sep 2018
Halkaa
Halkaa’s good intentions are never in doubt, nor are the efforts of the filmmaking team in illuminating a dark reality of Indian cities. But far greater subtlety, and a more realistic assessment of the problems faced by slum dwellers in building toilets, were needed to have made Pichku’s mission credible.
Sep 2018
Gali Guleiyan
...Bajpayee’s career-best performance prevents interest from flagging. The actor never loses Khuddus’s humanity, and portrays his plight with unerring rigour and poignancy.
Sep 2018
Yamla Pagla Deewana Phir Se
The forced wackiness is spread thinly over 148 minutes, and the poor production values and all-round laziness indicate that nobody in this production was trying too hard.
Aug 2018
- Aug 2018
Happy Phirr Bhag Jayegi
The frenetically paced plot makes even less sense the second time round, and the humour is more scattershot and even desperate in places.
Aug 2018
Gold
The sluggish pacing over 153 minutes contain few moments of surprise or discovery. In the end, the inevitable clamber for the exit gate is stalled in the final moments by the strains of the national anthem.
Aug 2018
Satyameva Jayate
The movie never takes itself too seriously, even as it emerges as the obverse of Hindi movies that celebrate the super-cop who breaks the rules while in uniform.
Aug 2018
Vishwaroop II
The thespian in him is missing from a movie littered with ordinary performances. Only Rahul Bose’s hoarse-voiced Omar provides the campiness that could have salvaged the movie from its dire sense of self-importance.
Aug 2018
- Aug 2018
Fanney Khan
The actors help the movie navigate the implausibility at the heart of the plot and its facile critique of a music industry in which talent is worthy of being recognised only if it is televised.
Aug 2018