An archive of Hindi movie reviews and ratings from 2010 to 2020.

critic

Udita Jhunjhunwala

Highest rating for
Lowest rating for
Number of reviews
192
Average rating
42

Order by

Date

Title

Rating

  • One Day

    The story of a vigilante judge trying to bring justice once he has given up the duty of following the rule book had potential, but Ashok Nanda’s direction exposes flaws in the performances and tears open the already gaping holes in Alaukik Rahi’s story.

    39

    Jul 2019
  • Toilet

    Instead of sticking to social satire, Toilet: Ek Prem Katha takes on the mantle of an extended propaganda film—it’s just as tiresome, but with better production values and performances.

    39

    Aug 2017
  • Sab Kushal Mangal

    Khanna seems to be having fun with his moustache, mischief, heartland politician, and rough around-the-edges Casanova character. The film hits the right notes when he is on screen but declines to near pallid when it focuses on the flimsy romance between Sharma and Kishan.

    39

    Jan 2020
  • Bhavesh Joshi Superhero

    While Motwane’s blueprint is derivative (you will think Kick Ass and Arrow), his thoughts and setting are localised enough to make this a convincing character within the genre. But the film’s flaw is that it’s trying to say too much and doing so at such a painful pace that much of a good intention is lost in execution.

    39

    Jun 2018
  • Hindi Medium

    ...is obviously playing to the gallery. It makes you laugh, it makes you think, but its one-note characters and black-and-white divisions mean that while it makes the grade, the film is no topper.

    39

    May 2017
  • Mohalla Assi

    ...is less cinema and more textual. The small things and little metaphors are more impactful than the bombastic monologues which dominate this taxing and ponderous chronicle.

    39

    Nov 2018
  • Bhangra Paa Le

    In spite of best efforts by the actors, a feeble script, by-the-numbers direction, unimaginative choreography, and contrived drama are unable to burn up the dance floor.

    39

    Jan 2020
  • Tum Mile

    ...might have worked if it had stuck to the love story - about a mature relationship that sours when control and ego, dreams and ambition clash. A 26 July film it is not. If only it had not pretended to be.

    39

    Nov 2009
  • Akira

    Sinha gets to show off her karate chops and martial arts, but the handful of action sequences are less than inventive. Sinha is far more effective in the emotional scenes.

    39

    Sep 2016
  • Shubh Mangal Saavdhan

    The screenplay manages to walk the line between crass and preachy, keeping the balance between comedy, romance and the sensitivities around a taboo topic. However, a collection of nice moments and thoughts is untidily stitched together.

    39

    Sep 2017
  • 2.0

    A film that pivots around technology and artificial intelligence should have laid as much emphasis on artificial (special effects, computer graphics, robots) as intelligence. But writer-director Shankar’s focus is largely on visually wow-ing the audience.

    39

    Dec 2018
  • Freaky Ali

    Though it’s called Freaky Ali, Siddiqui’s Ali is the least freaky of all the characters and his performance is the only reason this film is not a complete washout.

    39

    Sep 2016
  • Baadshaho

    Baadshaho's finale unfolds in a sandstorm and is the one scene that is visually arresting, though the story loses itself somewhere within the vortex.

    39

    Sep 2017
  • Malang

    A whole lot of time is wasted setting up the story; far less is assigned to unravelling the mystery or providing adequate backstory to all the characters.

    39

    Feb 2020
  • Poster Boys

    The issue of over-population is tackled with a light hand and while the humour is anything but subtle, Poster Boys will appeal to fans of the brothers Deol looking for an inoffensive good time.

    39

    Sep 2017
  • Marjaavaan

    Writer-director Milap Zaveri pulls in every 1980s Bollywood movie trope to present a film designed to elicit whistles from the frontbenchers.

    39

    Nov 2019
  • Shab

    ...should have augmented Onir’s oeuvre. Perhaps being based on a script written over a decade ago contributed to the feeling of datedness.

    39

    Jul 2017
  • Shikara

    Given his personal connection with the story, Chopra captures emotion and upheaval, loss and fear, hope and hopelessness. However, as a chapter in Indian history, the film required a great deal more context and deference to the complexity of politics in the Valley.

    39

    Feb 2020