An archive of Hindi movie reviews and ratings from 2010 to 2020.

publication

Mint

Highest rating for
Lowest rating for
Number of reviews
410
Average rating
42

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Date

Title

Rating

  • Coffee Bloom

    ...isn’t the most exciting of films, but it has a slow-burn intensity that owes a lot to Mathur and Garg’s carefully calibrated performances and Kapoor’s exuberant, pressure-releasing one.

    39

    Mar 2015
  • Roy

    Singh’s un-Bollywood storytelling (long pauses, silences and thoughtfulness), colour palette and controlled drama are refreshing, but the pace is sluggish and the plot too thin to carry a two-and-a-half-hour film.

    39

    Feb 2015
  • Hawaizaada

    At 157 minutes, most of Vibhu Puri’s film is indulgence and fiction that is trying to connect points of fact. The padding is painfully dull and distracts from the drama, energy and patriotic zeal that could have propelled this story.

    19

    Jan 2015
  • Tevar

    A number of tropes in this script, for instance the damsel in distress who whimpers and then falls hopelessly in love with her knight in shining armour, are, like this film, conservative and well past their sell-by date.

    29

    Jan 2015
  • Ugly

    Ultimately Ugly rests on an irony, and although there are some masterfully-crafted scenes to build up suspense, none of it can hide the writer-director’s moral gaze—how depraved are you, he seems to ask, leaving his audience uneasy.

    79

    Dec 2014
  • Ungli

    The film has the distinct stamp of a brand of exaggerated, schmaltzy activism far from reality but in the garb of realism—the consummate example of this is Rang De Basanti, also D’Silva’s script.

    29

    Nov 2014
  • Happy New Year

    So much staleness, packed into a running time of 3 hours, is revolting even to the brain-dead stupor that we, fans of Hindi movies, sometimes habitually get into just for the sake of time-pass entertainment.

    19

    Oct 2014
  • Bang Bang!

    Knight and Day was mediocre at best. The remake comes with that legacy and even experienced writers like Sujoy Ghosh, Suresh Nair and Abbas Tyrewala are unable to add bang to this bland concoction.

    29

    Oct 2014
  • Haider

    ...an immensely effective reimagination of Shakespeare—and the film’s biggest triumph is that the provincial, in this case Kashmir and the characters defined by its reality, shine in a universal and timeless tragedy.

    79

    Oct 2014