An archive of Hindi movie reviews and ratings from 2010 to 2020.

publication

PassionForCinema

Highest rating for
Lowest rating for
Number of reviews
69
Average rating
48

Order by

Date

Title

Rating

  • My Name is Khan

    At the end of 18 reels, you do carry something precious home – SRK and Kajol. They are absolutely electric. Undoubtely, they don’t make’em like that anymore. And never will, which is why MNIK is absolutely compulsory viewing. You may have problems with it. Yet it is a must-must-see.

    79

    Feb 2010
  • Phas Gaye Re Obama

    ...like a breath of fresh air. This film is a good example of how an interesting premise, a credible closure, and, heads-on-your-shoulder approach to filmmaking results in a solid film that stands on its own two feet despite a low budget and no stars.

    69

    Dec 2010
  • Ishqiya

    ...a charming, enticing flick that commits the mistake of biting a little more than what it could actually chew. In the process, Ishqiya, like its lead protagonists, digs up its own grave!

    69

    Jan 2010
  • The Japanese Wife

    It stays with you. Although the tempo is excruciatingly slow and the screenplay repeats lines of dialogue as if they had been written by a squawking parrot, the result is limned with that near-extinct quality in cinema – humaneness.

    69

    Apr 2010
  • Antardwand

    Although technically jejune with the tempo slower than a bullock cart at key points, the outcome still arouses your curiosity, and admiration for its indie spirit.

    59

    Aug 2010
  • Lamhaa

    ...may not be a completely satisfying two-hour experience. Yet its noble intentions and a bid to go beyond the surfacial situation in the troubled valley of Kashmir, elevate the outcome to a notch above the candy-floss and the commonplace.

    59

    Jul 2010
  • Do Dooni Chaar

    Neither rabidly formulaic nor elliptically arty, this look at the aspirations and anxieties of a lower middle-class family, evokes a smile of rueful recognition.

    59

    Oct 2010
  • Udaan

    There are choices involved in the telling of a story; and I felt the story-teller opted for the easier, more accessible ones. This correction could have lent more subtlety and depth to Vikramaditya Motwane’s otherwise accomplished film.

    59

    Jul 2010
  • Peepli [Live]

    For avoiding the route of fantasyland, for narrating a story hooked on fact rather than fiction, and for being remarkably observant about the quirks, anxieties and hopes of the BPL (those subsisting below the poverty line), Rizvi makes an auspicious debut as a director of substance.

    59

    Aug 2010
  • Lahore

    ...this Indo-Pak treatise may have been wah-wahed at film festivals, but all said and seen just about makes it to a notch above the average.

    49

    Mar 2010