An archive of Hindi movie reviews and ratings from 2010 to 2020.

publication

PassionForCinema

Highest rating for
Lowest rating for
Number of reviews
69
Average rating
48

Order by

Date

Title

Rating

  • We Are Family

    ...is an endurance test to sit through. It’s no longer all in the family – meaning warmth, love, sharing, caring - it's all about gross manipulation to coerce the audience to shed a tear or twenty.

    19

    Sep 2010
  • Veer

    The director does have a signature of sorts (hyper-commercial with a penchant for kitschy sets and sweeping outdoor locales). Here that is wasted on a period piece that has little else to hold it together but Salman Khan’s physique and hair extensions.

    39

    Jan 2010
  • Udaan

    There are choices involved in the telling of a story; and I felt the story-teller opted for the easier, more accessible ones. This correction could have lent more subtlety and depth to Vikramaditya Motwane’s otherwise accomplished film.

    59

    Jul 2010
  • The Japanese Wife

    It stays with you. Although the tempo is excruciatingly slow and the screenplay repeats lines of dialogue as if they had been written by a squawking parrot, the result is limned with that near-extinct quality in cinema – humaneness.

    69

    Apr 2010
  • Tees Maar Khan

    How you miss Farah Khan's feather-light touch. Here every point and joke is bludgeoned into you as if you were too dimwitted to catch the PJs. For heaven's sake, please don't treat the audience as toddling ninnies.

    29

    Dec 2010
  • Prince

    ...get into the groove to enjoy the expected ridiculousness, and Prince for most of its running time doesn’t disappoint.

    19

    Apr 2010
  • Phoonk 2

    ...doesn’t scare you out of your pantaloons. It merely employs some select words in the dialogue that could send you over the moon. Swoon.

    29

    Apr 2010
  • Phas Gaye Re Obama

    ...like a breath of fresh air. This film is a good example of how an interesting premise, a credible closure, and, heads-on-your-shoulder approach to filmmaking results in a solid film that stands on its own two feet despite a low budget and no stars.

    69

    Dec 2010
  • Peepli [Live]

    For avoiding the route of fantasyland, for narrating a story hooked on fact rather than fiction, and for being remarkably observant about the quirks, anxieties and hopes of the BPL (those subsisting below the poverty line), Rizvi makes an auspicious debut as a director of substance.

    59

    Aug 2010
  • My Name is Khan

    At the end of 18 reels, you do carry something precious home – SRK and Kajol. They are absolutely electric. Undoubtely, they don’t make’em like that anymore. And never will, which is why MNIK is absolutely compulsory viewing. You may have problems with it. Yet it is a must-must-see.

    79

    Feb 2010