An archive of Hindi movie reviews and ratings from 2010 to 2020.

publication

The New Indian Express

Highest rating for
Lowest rating for
Number of reviews
284
Average rating
47

Order by

Date

Title

Rating

  • Begum Jaan

    There is nothing even Vidya Balan can do to make things interesting here when that happens. And we never get to know enough about the characters to identify with their sense of loss and longing.

    39

    Apr 2017
  • Setters

    ...is a Neeraj Pandey movie directed by someone else (Ashwini Chaudhary), one that features Shreyas Talpade and Aftab Shivdasani in place of Akshay Kumar and Manoj Bajpayee.

    39

    May 2019
  • Section 375

    ...as the politics of Section 375 gradually comes into view, it loses all claim on even-handedness. This is a film too smug about its own neutrality, using it as a front to sneak in a damaging conclusion.

    39

    Sep 2019
  • Cocktail

    It hurtles along the same old path most of its breed do. And somehow, a film that’s sidestepped melodrama for the first hour or so, turns maudlin.

    39

    Jul 2012
  • Noor

    A compelling micro story about a single character loses its essence by trying to be a macro story about Mumbai, journalism and other words thrown at you with sincerity reserved for banal platitudes.

    39

    Apr 2017
  • Ek Villain

    The other issue is Suri’s unwillingness to come out of Mahesh Bhatt’s shadow because his films derive most of their heft from the maker’s oeuvre.

    39

    Jun 2014
  • Family Of Thakurganj

    With little resources, filmmakers like Prakash Jha, Tigmanshu Dhulia and Anurag Kashyap made our northern badlands cinematic. It’s the impostors that come now who are balling up the place. They exploit dialect for laughs, landscape for scenery, and violence for plot twists. It’s all so criminally wrong. 

    39

    Jul 2019
  • For Real

    ...turns out to be an ordinary affair which has a good setting to it, sees some good execution for most of its part as well but doesn't quite end on a satisfactory note that would have made audience sit back and think.

    39

    Sep 2010
  • Befikre

    Unfortunately, it is Aditya’s stories that cannot shape shift to fit into post — Dil Chahta Hai, post-Imtiaz Ali, post-Shakun Batra grammar of Bollywood.

    39

    Dec 2016
  • Chance Pe Dance

    The film offers simply nothing in terms of a plot. Though it starts of well, the lack of depth in characters soon gets exposed and the boringness creeps in.

    39

    Jan 2010
  • War

    Despite the toughness of its leading men, the film tires them out with its convoluted writing — which, I am afraid, is the only villain in this skirmish. The rest are just in it for the money.

    39

    Oct 2019
  • Pihu

    The set-pieces are intriguingly imagined, but they mesh oddly, and entire sequences, like unmatched pieces of Lego, refuse to fit into each other. 

    39

    Nov 2018
  • Pati Patni Aur Woh

    Its humour doesn’t stem from escalating confusion or clever lines, but plain sleaze. It takes the fantasy world of old Govinda movies and grafts it onto a real milieu — a scary combination by all means, as hinted at by Bhumi’s ‘single-screen/multiplex’ line.

    39

    Dec 2019
  • Daas Dev

    Sudhir Mishra’s latest film has a title that wants to scream at you its creativity — or lack thereof — but ends up with an indiscernible, squeaked out nonsense.

    39

    Apr 2018
  • Malang

    Remove the stylised layers, foot-tapping music, Greek God-like leads, and the crisp runtime, and most of Mohit Suri’s films are essentially explorations of toxic masculinity. Malang is no different. It ticks all the boxes in the Mohit Suri-checklist, but does little else.

    39

    Feb 2020